18 - Scott Griffin (American, contemporary). Encaustic on wood panel, Growth, 2007. The horizontal composition is executed on thirteen vertical, weathered wood planks joined by two horizontal battens on the verso. The work features eleven stylized figures in black tuxedos with yellow-toned faces arranged across a field of faded blue and natural wood grain. The waxy encaustic medium is applied with varying degrees of transparency to integrate the natural textures, knots, and splits of the reclaimed timber support. The verso is signed Scott Griffin 2007 Growth in white paint across the center of the planks. 16 x 53 in. Purchased at the Outsider Art Fair in New York City in 2007.

Scott Griffin (American, contemporary). Encaustic on wood panel, Growth, 2007. The horizontal composition is executed on thirteen vertical, weathered wood planks joined by two horizontal battens on the verso. The work features eleven stylized figures in black tuxedos with yellow-toned faces arranged across a field of faded blue and natural wood grain. The waxy encaustic medium is applied with varying degrees of transparency to integrate the natural textures, knots, and splits of the reclaimed timber support. The verso is signed Scott Griffin 2007 Growth in white paint across the center of the planks. 16 x 53 in. Purchased at the Outsider Art Fair in New York City in 2007. Bin 40 CONDITION: The work is in good condition, showing natural weathering, wood splits, and varied textures inherent to the reclaimed wood support. The metal joining plate and screws on the verso show surface oxidation. Minor surface scuffs are present, consistent with the waxy encaustic medium. NOTICE TO BIDDERS: The absence of a condition report does not imply that the lot is in perfect condition. Photos are considered part of the condition report. Complete condition information is available by request, please request no later than 24 hours prior to the auction. All lots are offered and sold "as is", and Willow Auctions will not provide refunds based on condition. Timepiece movements, lighting and electrics have not been tested, and art has not been examined out of the frame unless otherwise stated.