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Eugène ATGET (1857–1927) Porte d'Ivry, a slum shack (13th arrondissement), 1912 A small wooden house with walls covered in asphalt-coated cardboard, a wooden door and a window with curtains, a can on the threshold, flower beds, a picket fence, and the embankment of the fortifications. Silver print 18.2 x 23.8 cm Inscription on the reverse: Annotation in ink: “Porte d’Ivry 1912 (13th)” Provenance: former Jean-Marie Drot collection Born in Libourne in 1857, Eugène Atget worked as a sailor and then as an actor before devoting himself to photography around 1890. Settling on Rue Campagne-Première, he produced “documents for artists” and spent nearly forty years photographing old Paris: streets, courtyards, storefronts, signs, small trades, parks, and interiors. His thousands of photographs were acquired by the National Library, the Carnavalet Museum, and the Historic Monuments department, which saw them as a record of a city in the process of disappearing. Man Ray and the Surrealists, followed by Berenice Abbott—who saved a large portion of his collection—revealed the poetic dimension of his work. He died in Paris in 1927 and is considered one of the fathers of modern documentary photography.
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