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Otto Lackenmacher (Saarbrücken 1927–1988 Saarbrücken), “The Crucifixion—Golgotha—Victims of Fascism,” 1947/74, drypoint etching on heavy handmade paper, signed and dated 1947 in the lower left corner of the plate, signed in pencil along the lower margin, labeled “E(preuve d’)A(rtiste),” and dated again “1947,” Lackenmacher used a charcoal drawing from 1947 as a model, which he finally executed as an etching in 1974; the figure bent over, hiding her face behind her hands at the lower left edge of the image, is recognizable as a self-portrait of Lackenmacher, 50 x 32.7 cm (paper size: 65 x 49.5 cm), no signature. Limit 160,- >> Painter and printmaker from Saarland; 1941–43: Meister School in Trier; 1947–53: Grande Chaumière in Paris; married Katja Sorg in 1951; numerous series of prints.
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