Upcoming auctions
1 / 4

To modify your purchase order,
contact the auction house.

live December 3 | 05:00 PM
Karl & Faber

505 - Alfred Roller (1864 Brno – Vienna 1935)

The reserve price is the minimum price accepted by the seller. Bidders cannot see this price. To win an item, you must place the highest bid and meet or exceed the reserve price.

Registrations are closed for this sale. You cannot place a bid.

The converted amounts are provided for informational purposes only. Only the currency determined for the sale by the auction house is binding. You can select a different currency by going to the "Preferences" page in your profile.

Fees including the auction house's fees and the platform's fees. For further details, please refer to the auction house's General Terms and Conditions of Sale.

Estimation

€40,000 - 60,000

Sale fees

34%

Alfred Roller (1864 Brno – Vienna 1935) Secession XIVth Exhibition Poster. Color lithograph on cream-colored vellum. (1902). Consists of 3 sheets, total dimensions approx. 196 x 76 cm (total sheet size approx. 203.5 x 79 cm). Print run unknown. Inscription by another hand at the bottom edge. • Created in 1902 for the Vienna Secession exhibition held in honor of the composer Ludwig van Beethoven • The poster shows a detail from the mural “Die sinkende Nacht” (“The Falling Night”), which was displayed behind the Beethoven monument at the exhibition • Roller was a co-founder of the Vienna Secession in 1897 and served as its president in the year this poster was created In 1902, Alfred Roller designed the poster for the 14th exhibition of the Vienna Secession, held in honor of the composer Ludwig van Beethoven (1770–1827). Max Klinger’s Beethoven Monument stands in the main hall of the exhibition as a tribute to this artist who, as the catalog states, “brought clarity to our view of art through both his creative work and his words.” Roller, who was president of the association at the time, contributed a large, stenciled painting titled “The Fading Night” as a monumental backdrop to the sculpture; the poster shows a detail from this work. Embedded in a strict ornamental pattern, angelic figures gliding downward with their heads bowed carry the extinguished suns to their graves. Nature and humanity are dissolved into purely ornamental, almost geometric forms, in which the outline of the human figure is merely schematically suggested. The poster picks out a single figure from the procession and combines it with bold, condensed lettering: Here, Roller reveals himself as a master of poster art, skillfully blending ornamental form, lettering, and color into a harmonious, artistic unity. Exhibition: Sécession. L’Art Graphique à Vienne autour de 1900, Musée-Galerie de la Seita, Paris 1999, cat. no. 14, p. 92, with color ill. on p. 61; Neue Galerie, New York 2017/18. Provenance: Serge Sabarsky Collection/Estate, New York; Vally Sabarsky Collection/Foundation, New York. Taxation: subject to regular taxation (VAT: Regular Taxation).

Text translated by DeepL.
Only the original version is legally binding

Auction details

Auction 350 | Modern Art, Post-War & Contemporary Art | Evening Sale
Thursday, December 3
05:00 PM
Amiraplatz 3
80333 Munich, Germany

Auction house

Karl & Faber +(49)8.92.21.868 info@karlundfaber.de
On Drouot for 6 years avec More than 10,000 lots published

Delivery is optional. You can use the carrier of your choice. The stated price does not include the lot price or the auction house fees.

Delivery Options

Log in or create an account to learn more about your delivery options for this sale!