80 - Alighiero Boetti, *Insicuro Noncurante*, 1975–1976; Complete portfolio of 81 plates inside a red cloth case, 55 x 45 cm (each plate) – 56 x 45 x 7 cm (folder)

Alighiero Boetti, *Insicuro Noncurante*, 1975–1976; Complete portfolio of 81 plates inside a red cloth case, 55 x 45 cm (each plate) – 56 x 45 x 7 cm (folder) Numbered 40 on the colophon, from an edition of 41 copies + IV + 4 HC. The 81 plates are numbered in pencil in the lower right corner. Edition 2R Rinaldo Rossi, Genoa. Provenance: Private collection, Milan. Artwork registered at the Alighiero Boetti Archive, Rome, under number 10482, as per the certificate. Exhibitions: Genoa, Saman Gallery, Alighiero e Boetti, 1975 (another example exhibited); Milan, Studio Marconi, *Insicuro noncurante*, 1976 (another example exhibited)Rome, Galleria d’Alessandro-Ferranti, Alighiero e Boetti, *Insicuro noncurante*, 1976 (another example exhibited) Zurich, Annemarie Verna, Alighiero e Boetti, 1977 (another example exhibited) Milan, Galleria dell’Ariete, Alighiero e Boetti, 1977, cat. (another example exhibited)Wilhelmshaven, Kunsthalle, *Kunst Nu, Kunst Unserer Zeit*, 1982, cat., p. 45 (another example illustrated)Ravenna, Loggetta Lombardesca, Alighiero Boetti, 1984–85, cat. (another example exhibited) Villeurbanne, Le Nouveau Musée, Alighiero and Boetti, *Insicuro noncurante*, 1986, cat., pp. 17, 90 (another example illustrated) Grenoble, Le Magasin, A View by Bruno Corà on the Works of the FRAC Rhône-Alpes, 1986–87, cat. (another example illustrated) Genoa, Locus Solus A.C., Anselmo Boetti, Fabro, Paolini, Penone, Pistoletto, Zorio, 1987 (another example exhibited) Chambéry, Musée Savoisien, Turin 1965–1987, “Arte Povera in French Public Collections,” 1987 (another example exhibited) Louvain-la-Neuve, Galerie L’Encan, *Vision sur l’art contemporain*, *Oeuvres du FRAC Rhône-Alpes*, 1988, cat. (another example illustrated) Malo, Museo Casabianca, *Alighiero e Boetti*, 1990–91 (another example exhibited) Graz, Künstlerhaus, Neue Galerie, Stadtmuseum, *Identity, Difference, Tribüne Trigon 1940–1990, A Topography of Modernism*, 1992, cat. (another example exhibited) Nice, Musée d’Art Moderne et d’Art Contemporain, *Arte Povera, Les multiples 1966–1980*, 1996, cat., p. 35 (another example cited)Turin, Galleria Civica, *Alighiero Boetti 1965–1994*, 1996, cat., pp. 196, 242 (another example illustrated) Malo, Museo Casabianca, *Alighiero Boetti*, 1996 (another example exhibited) Bremen, Neues Museum Weserburg Bremen, *Arte Povera: Works and Documents from the Goetz Collection, 1967 to the Present*, 1997, cat., pp. 216–217 (another example illustrated) Valence, Musée de Valence, Journey from Exoticism to Non-Places, 1998, cat., p. 89 (another example cited)Lyon, Institut National des Sciences Appliquées, Alighiero Boetti: A Monograph, 2000 (another example exhibited)Venice, La Biennale di Venezia, 49th International Art Exhibition, Alighiero Boetti: Nothing to See, Nothing to Hide, 2001, cat. (another example exhibited) London, 38 Langham Street, Alighiero Boetti: Insecure Unconcerned, 2002 (another example exhibited) Villeurbanne, Institut d’Art Contemporain, Contemporary Histories: Recent Acquisitions from the FRAC Rhône-Alpes Collection and IAC Archives, 2003 (another example exhibited) Dijon, FRAC Bourgogne, Alighiero Boetti: Order and Disorder of the World, Works 1967–1990, 2003, cat., p. 68 (another example illustrated) Bergamo, Galleria d'Arte Moderna e Contemporanea, Alighiero Boetti: Almost Everything, 2004, cat., pp. 119–121, 233 (another example illustrated) Waldenbuch, Museum Ritter, Marli Hoppe-Ritter Collection, Alighiero Boetti: Order and Disorder, 2008–09, cat. (another example exhibited) Naples, Museo d’Arte Contemporanea Donnaregina, *Alighiero & Boetti, Mettere all’arte il mondo 1993–1962*, 2009, cat., p. 121 (another example illustrated)Literature: A. Bonito Oliva, “Process, Concept, and Behavior in Italian Art,” in *Studio International*, London, January–February 1976 (another example illustrated) G. B. Salerno, “Alighiero and Boetti,” in *Bollettino Studio Marconi*, Milan, March 1976, pp. 15–16 (another example cited) T. Trini, “Alighiero Boetti,” in *Corriere della Sera*, Milan, March 29, 1976 (another example cited)T. Trini, “Alighiero e Boetti, Insecure and Carefree Because He Is Like Leonardo,” in *Data*, Milan, May–June 1976, p. 39 (another example partially illustrated) M. Fagiolo, “Alighiero Boetti,” in *Il Messaggero*, Rome, June 5, 1976 (another example partially illustrated) Various authors, “In galleria,” in *Il Tempo*, Milan, June 13, 1976 (another example partially illustrated) M. Silvera, “Alighiero Boetti,” in *Vogue Italia*, Milan, September 1978 (another example cited)G. B. Salerno, “Alighiero Boetti, Sciamano e showman,” in *Il manifesto*, Rome, December 21, 1984 (another example cited)C. Levi, *Una diversa tradizione*, Milan, 1985, pp. 55, 58, 63 (another example illustrated)Various authors, *Présentation & Propositions, Oeuvres du Frac Rhône-Alpes*, Annemasse, 1988, exhibition catalog for the Villa du Parc, Annemasse (another example illustrated) Various authors, “Boetti, Prophet of Arte Povera,” in