22 - JOAN MIRÓ (Barcelona, 1893 – Palma de Mallorca, 1983).

JOAN MIRÓ (Barcelona, 1893 – Palma de Mallorca, 1983). “Woman Catching a Bird.” Pencil on newspaper. Signed in the lower right corner. Bibliography: Jacques Dupin and Ariane Lelong-Mainaud, Joan Miró Catalogue Raisonné. Drawings, Volume V: 1977, Paris, 2015, no. 3464, p. 108 (illustrated) Measurements: 20.6 × 33 cm; 49 × 61 cm with frame. In “Femme attrapant un oiseau,” Joan Miró condenses, with an extraordinary economy of means, some of the essential elements of his visual language: the female figure, the bird, the sign, and the expansion of space. On a medium as everyday as newspaper, the artist deploys an agile, continuous, and vibrant line that transforms the scene into a true form of visual writing. The figure and the bird are not constructed through narrative, but rather through a syntax of curves, dots, and forms suspended in space. The drawing thus becomes a realm of utmost freedom, where the line functions simultaneously as an outline, a gesture, and a poetic sign. The use of printed paper also introduces a dimension of modernity and chance: the underlying typography, barely perceptible, remains as an echo of the real world, over which Miró superimposes his own system of signs. The woman–bird pairing, a recurring motif in the artist’s iconography, refers to fundamental ideas in his imagination: imagination, desire, flight, and metamorphosis. In this work, the gesture of “catching” the bird should not be understood literally, but rather as a metaphor for the creative process—understood as the capture of a fleeting image at the very moment of its appearance. In this context, the work reveals itself as a paradigmatic example of Miró’s ability to transform a seemingly spontaneous drawing into an autonomous visual structure, where the simplicity of the line articulates a poetic language of great formal precision and symbolic power. Joan Miró was one of the leading figures in 20th-century art. Associated with Surrealism and the creator of a wholly personal artistic language, he produced works spanning painting, drawing, sculpture, ceramics, printmaking, and public art. His work is represented in institutions such as the Fundació Joan Miró in Barcelona, the Fundació Pilar i Joan Miró in Mallorca, MoMA in New York, the Centre Pompidou in Paris, and the Museo Reina Sofía in Madrid.