7 - ENRIQUE ESTEVAN Y VICENTE (Salamanca, 1849 – Madrid, 1927).

ENRIQUE ESTEVAN Y VICENTE (Salamanca, 1849 – Madrid, 1927). Untitled. Oil on panel. The painting’s surface shows signs of wear, and the frame is damaged. Signed in the lower left corner. Measurements: 40 x 27 cm; 67 x 54 cm (frame). The diaphanous light of a summer day, the vibrant blue of the sky, and the lush vegetation transform this composition into an evocative celebration of the garden as a space of beauty, tranquility, and distinction. Beneath a vast canopy of white clouds, the architecture of a small palace blends harmoniously into a landscape of trees, trimmed hedges, and flowerbeds, while a monumental ornamental urn dominates the foreground. Two female figures, dressed in elegant gowns and sheltered from the sun by their parasols, introduce a touch of intimacy and human scale to this scene of refined serenity. The work is part of the tradition of landscape painting and garden views cultivated during the 19th century, when these spaces took on special significance as settings for socializing, contemplation, and the expression of bourgeois taste. The focus on natural light, direct observation of nature, and the integration of architecture and vegetation reflect the landscape sensibility of the era. Enrique Estevan y Vicente (Salamanca, 1849 – Madrid, 1927) was a Spanish painter active from the second half of the 19th century through the early decades of the 20th. His career unfolded during a period of transformation in the Spanish visual arts, marked by the consolidation of academic training, the development of public exhibitions, and a growing interest in landscape and scenes depicting local customs. He studied at the Special School of Painting, Sculpture, and Engraving and later at the San Fernando School of Fine Arts in Madrid; throughout his career, he participated in the National Fine Arts Exhibitions and those of the Circle of Fine Arts. In 1892, he won a third medal for *El primer balazo* (*The First Shot*), a work acquired by the government. The San Fernando Academy of Fine Arts and the Museum of Carlism hold works by him in their collections. It has imperfections on the painted surface and damage to the frame.