170 - Album from *La Revue Blanche*. 1895. Exceptional complete set of 12 plates by various artists (11 lithographs and 1 woodcut) with a cover illustrated by Pierre Bonnard. Copy from Édouard Vuillard. AABM stamp (Lugt 3075).

Album from *La Revue Blanche*. 1895. Exceptional complete set of 12 plates by various artists (11 lithographs and 1 woodcut) with a cover illustrated by Pierre Bonnard. Copy from Édouard Vuillard. AABM stamp (Lugt 3075). List of plates: - Pierre Bonnard (1867–1947). Cover. (Woman with a Dog and the title “Album de la Revue Blanche”). Bouvet 34. Double sheet of heavy vellum with cord bindings at the top and bottom. On the back cover: “1895,” within a circular frieze of figures: “Published by L’Estampe Originale / for / La Revue Blanche / 1 rue Laffitte,” “25 fr.” On the inside back cover, a blue pencil annotation by the publisher Natanson at the bottom: “Ex J” and his signature. Above, a handwritten note in pencil by Arsène Bonafous-Murat: “Copy from Vuillard’s studio.” AABM stamp (Lugt 3075) in the lower right corner of the back cover. - Pierre Bonnard (1867–1947): Woman with an Umbrella. 1895. Two-tone lithograph. 130 x 220 [245 x 320 mm]. Bouvet 33. Print on glossy vellum, signed in pencil. A fine, light band of oxidation at the bottom. AABM stamp (Lugt 3075). - Charles Cottet (1863–1925): Breton Women. 1895. Lithograph. 200 x 150 [350 x 245 mm]. Morane 1. Proof on ivory-colored glossy vellum, signed in pencil. AABM stamp (Lugt 3075). - Maurice Denis (1870–1943): The Visitation. 1895. Lithograph. 125 x 160 [247 x 325 mm]. Cailler 79. Color print. Proof on thin ivory-colored vellum, signed in pencil. AABM stamp (Lugt 3075). - Henri-Gabriel Ibels (1867–1936): Peasant Woman with a Basket. 1895. Lithograph. 144 x 232 [248 x 318 mm]. Printed in blue with a beige-toned stone. Unsigned proof (except on the stone), as is customary. AABM stamp (Lugt 3075). - Paul-Élie Ranson (1861–1909): Reclining Girl. 1894. Lithograph. 220 x 133 [323 x 244 mm]. Ranson-Bitker 54. Printed in olive green. Print on thin buff-colored vellum, signed in pencil. AABM stamp (Lugt 3075). - Odilon Redon (1840–1916): Winged Horse. 1894. Lithograph. 115 x 155 [250 x 313 mm]. Mellerio 127. Proof on applied China paper, signed in pencil. Slight soiling in the lower right corner. AABM stamp (Lugt 3075). - József Rippl-Rónai (1861–1927): The Reader by Lamplight. 1895. Lithograph. 145 x 193 [245 x 320 mm]. Color print. Proof on thin buff-colored vellum, signed with initials in pen and ink. A fine crease along the lower left edge. AABM stamp (Lugt 3075). - Ker-Xavier Roussel (1867–1944): *Noli Me Tangere*. 1894. Lithograph. 140 x 222 [275 x 380 mm]. Salomon 9. Proof on thin buff-colored vellum, signed with initials in pencil. Tiny tear in the lower right corner. AABM stamp (Lugt 3075). - Paul Sérusier (1864–1927): The Candy Seller with an Umbrella. 1893. Lithograph. 135 x 221 [245 x 318 mm]. Guicheteau 53. Printed in black and olive green. Proof on thin buff-colored vellum, signed in pencil. AABM stamp (Lugt 3075). - Henri de Toulouse-Lautrec (1864–1901): Carnival. 1894. Lithograph. 165 x 250 [280 x 380 mm]. Delteil 64; Wittrock 61. Printed in olive green (and red for the mouth). Proof on glossy white vellum, signed in pencil. Slight dusting along the edges of the sheet. AABM stamp (Lugt 3075). - Félix Vallotton (1865–1925): The Three Bathers. 1894. Woodcut. 110 x 180 [244 x 328 mm]. Vallotton and Goerg 133. Proof on buff-colored vellum, signed and numbered in blue pencil. AABM stamp (Lugt 3075). - Édouard Vuillard (1868–1940): The Seamstress. 1895. Lithograph. 160 x 245 [245 x 323 mm]. Printed in color. Variant with the monogram in the stone featuring an acute-angled “V.” Proof on white glossy vellum, signed in blue pencil. AABM stamp (Lugt 3075). Album-sized edition of 50 prints, with wide margins, each signed (except for the Ibels sheet, which is never signed). The works had previously appeared in *La Revue Blanche*, an art and literature journal founded by the Natanson brothers in 1889, unsigned and with narrow margins.