213 - KINKOZAN: AN UNUSUAL AND LARGE SATSUMA CERAMIC ‘RAKAN AND MULTI-FACED DEMON’ VASE

KINKOZAN: AN UNUSUAL AND LARGE SATSUMA CERAMIC ‘RAKAN AND MULTI-FACED DEMON’ VASE By the Kinkozan company, signed Kinkozan tsukuru Japan, early 20th century, Meiji (1868-1912) to Taisho period (1912-1926) Of imposing baluster form, the gently tapering body rising to generously rounded shoulders and a short neck with a broad circular mouth, divided into several horizontal registers by raised gilt ribs. The exterior is exquisitely decorated in delicate polychrome enamels and extensive gilding, the principal register depicting a lively procession of Buddhist rakan, each individualized with remarkably expressive features, elaborate flowing robes, and animated gestures. Several are distinguished by radiant gilt aureoles, while others are accompanied by an elephant and a ferocious tiger. Particularly striking is an extraordinary multi-faced demon, its grotesque, fiery-red visages with wildly flowing hair and exaggerated, snarling expressions rendered with remarkable imagination and painterly finesse. The figures are set against a finely stippled gilt ground suggesting drifting clouds. The surrounding registers are lavishly embellished with dense clusters of blossoming hydrangeas and other seasonal flowers, finely detailed foliage, raised gilt bamboo leaves, and intricate geometric diaper patterns incorporating stylized lotus and floral motifs. The central register bears the gilt signature KINKOZAN tsukuru [made by Kinkozan]. HEIGHT 32.7 cm Condition: Excellent condition with no visible damages or signs of restoration (checked under UV light). Typical wear and expected rubbing to gilding. The Kinkozan company was among the most successful producers of so-called Kyo-Satsuma (Kyoto Satsuma) wares. Like their counterparts in Osaka, Yokohama, and Tokyo, Kinkozan’s production reflects Kyoto’s response to strong Western demand for finely painted Japanese ceramics during the Meiji period. Following the international exposure of Japanese art at the Paris Exposition of 1867, the rise of Japonisme in Europe led to a significant increase in exports, with Kinkozan wares admired for their delicate brushwork, refined compositions, and harmonious use of color and gold. Auction comparison: Compare a related smaller Satsuma ceramic ovoid vase, similarly decorated with encircling horizontal registers enclosing continuous figural scenes and flowerhead motifs, by Kinkozan, dated to the Meiji period, 16 cm high, at Bonhams, Fine Japanese Art, 5 November 2009, London, lot 213 (sold for GBP 3,120 or approx. EUR 5,900 converted and adjusted for inflation at the time of writing).