103 - A follower of BARTOLOMÉ ESTEBAN MURILLO (Seville, 1617–1682), 17th century.

A follower of BARTOLOMÉ ESTEBAN MURILLO (Seville, 1617–1682), 17th century. “Virgin and Child.” Oil on canvas. Relined. Shows slight cracking consistent with its age. Measurements: 74 x 56 cm; 83.5 x 65.5 cm (frame). This work is part of the remarkable popularity that Bartolomé Esteban Murillo’s Marian subjects achieved during the Baroque period. The theme of the Virgin and Child occupied a prominent place in his oeuvre, characterized by the emotional closeness between the figures, the idealized naturalism of the faces, and a soft modeling that makes them stand out against dark backgrounds. These artistic devices were widely adopted by painters associated with his stylistic circle. The composition depicts Mary holding the Child on her lap, in a close arrangement that focuses attention on the faces, the hands, and the bond between them. The white rose held by the Virgin (a symbol of purity) adds a delicate touch, while the Child, facing the viewer with his hand raised, reinforces the devotional nature of the image. The intense red of the tunic and the blue of the mantle stand out against the dimly lit background, following a chromatic scheme typical of 17th-century Sevillian religious painting. The gradual lighting, the gentleness of the expressions, and the soft rendering of the skin tones reveal the direct influence of Murillo’s style. Conceived to encourage close contemplation, the painting transforms the sacred subject into a scene of marked maternal intimacy—one of the features that explains the widespread popularity these models achieved both within and outside Spain. Bartolomé Esteban Murillo was the leading figure of the Sevillian school during the second half of the 17th century and one of the most internationally renowned Spanish painters. He was particularly noted for his religious compositions and depictions of children, in which he combined naturalism, luminosity, and emotional sensitivity. His work is featured in the Museo Nacional del Prado, the Musée du Louvre, and the National Gallery in London.