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H. SNYERS (*1612) after JORDAENS (*1549), Portrait of Adam van Oort, copper engraving Hendrick Snyers (c. 1612 – after 1647) after Jacob Jordaens (1549 – 1678): Portrait of the Antwerp painter Adam van Oort from *Het Gulden Cabinet*, 17th century, copper engraving Technique: Copper engraving on paper, mounted on paper Print Quality: A good print, with clear details, rich black tones, and well-defined hatching. Inscription: Signed in the printing plate at the bottom: "Iacobus Iordaens pinxit. | Hend Snyers sculp. | Io. Meyssens exc.". Inscribed at the bottom of the printing plate: "ADAM VAN OORT". Date: 17th century Description: A portrait of the painter Adam van Oort as an elderly man, depicted in half-length, turned slightly to the left, with his hands clasped in the foreground. The face depicts a man with a full white beard, curly, graying hair, and an intense gaze. He is wearing a dark robe with a white shirt underneath. The background is rendered uniformly dark using delicate cross-hatching, while the figure is modeled in relief through varied layers of line work. Below the illustration are the number “25,” the name “ADAM VAN OORT,” as well as an explanatory biographical text in French and details about the painter, engraver, and publisher. This work is believed to originate from the anthology *Het Gulden Cabinet*, which contained a large number of artists’ portraits. Keywords: Adam van Oort; Portrait; Artist’s portrait; Engraving; Half-length portrait; Beard; Folded hands; Flemish; 17th century; Jordaens; Hend Snyers; Jo. Meyssens; Antwerp; Biographical series; Printed art; Portrait of a man; Baroque; Series of portraits; Publisher; Engraver; 17th century; Baroque; Depiction of Artists; Belgium; Size: Paper: 17.0 cm x 12.1 cm (6.7 x 4.8 in), Plate: 16.1 cm x 11.1 cm (6.3 x 4.4 in), Image: 13.5 cm x 10.6 cm (5.3 x 4.2 in) Condition: Good condition. Slight age-related browning of the paper; a few small water stains; the sheet is slightly wavy and creased at the corners due to mounting; brownish patches along the margins where the adhesive joints show through
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