1811 - HUNDERTWASSER, FRIEDENSREICH (1928–2000) "860 Homo Humus come va - 10001 nights" 1984 Color silkscreen print in 17 colors, partially with metallic embossing in green and violet, on thin, cream-colored Japanese paper. 63 x 43.5 cm (image), 69.5 x 49.5 cm (sheet size). In a gilded display frame under glass: 100 x 80 cm. Signed in black ink lower right. Inscribed and numbered lower left: "5383 /10001" With the round copyright stamp ©. Lower left with printed work details in red: "860 HOMO HUMUS COME VA 10001 NIGHTS" as well as two red Japanese inkan stamps. At the bottom edge of the sheet, the printed publisher’s and printer’s marks: “DIE GALERIE,” “COORDINATOR ALBERTO VECCHIA,” “88 QUATTRIFOGLIO,” “Claudio Barbato Venezia Spinea.” Furthermore, in the upper left corner, there are printed color separation dots and a series of numbered boxes (1–8). Published by Die Galerie, Offenbach am Main, 1984. Printed by Claudio Barbato, Venice. This print is a characteristic example of Hundertwasser’s elaborate printmaking, which captivates through the use of metal foils and tactile surface textures. The motif explores the connection between architecture and nature, a central theme in the artist’s work.

HUNDERTWASSER, FRIEDENSREICH (1928–2000) "860 Homo Humus come va - 10001 nights" 1984 Color silkscreen print in 17 colors, partially with metallic embossing in green and violet, on thin, cream-colored Japanese paper. 63 x 43.5 cm (image), 69.5 x 49.5 cm (sheet size). In a gilded display frame under glass: 100 x 80 cm. Signed in black ink lower right. Inscribed and numbered lower left: "5383 /10001" With the round copyright stamp ©. Lower left with printed work details in red: "860 HOMO HUMUS COME VA 10001 NIGHTS" as well as two red Japanese inkan stamps. At the bottom edge of the sheet, the printed publisher’s and printer’s marks: “DIE GALERIE,” “COORDINATOR ALBERTO VECCHIA,” “88 QUATTRIFOGLIO,” “Claudio Barbato Venezia Spinea.” Furthermore, in the upper left corner, there are printed color separation dots and a series of numbered boxes (1–8). Published by Die Galerie, Offenbach am Main, 1984. Printed by Claudio Barbato, Venice. This print is a characteristic example of Hundertwasser’s elaborate printmaking, which captivates through the use of metal foils and tactile surface textures. The motif explores the connection between architecture and nature, a central theme in the artist’s work. Catalog raisonné Koschatzky 83.