Upcoming auctions
1 / 1

To modify your purchase order,
contact the auction house.

live November 25 | 10:00 AM
Bassenge

5056 - German

Starting price

€5,000

The reserve price is the minimum price accepted by the seller. Bidders cannot see this price. To win an item, you must place the highest bid and meet or exceed the reserve price.

Registrations are closed for this sale. You cannot place a bid.

The converted amounts are provided for informational purposes only. Only the currency determined for the sale by the auction house is binding. You can select a different currency by going to the "Preferences" page in your profile.

Fees including the auction house's fees and the platform's fees. For further details, please refer to the auction house's General Terms and Conditions of Sale.

Estimation

€6,000

Sale fees

33%

German First half of the 16th century. *The Song of the Gluttons*. Woodcut. 22.8 x 33 cm. Probably Geisberg 936, Amelie Roper, "German Music Broadsheets, 1500 to 1550: Production, Persuasion, and Performance,” in: Andrew Pettegree (ed.), *Broadsheets: Single-Sheet Publishing in the First Age of Print*, Leiden, Boston 2017, pp. 432–437, fig. 17.8. Signature: Cross in a Circle (Briquet 2949, 2961). In this slightly humorous woodcut, a monk, a woman, an apothecary, and other figures sing along to a song broadsheet titled *Das Gesang der Schlemer* (The Song of the Gluttons), whose lyrics refer to the vices of gluttony and greed: “I was born too soon, / Wherever I go today, / My fortune still lies ahead, / If I had the imperial throne, / Plus the customs duties on the Rhine, / And whoever owns Venice, / Let them consider it lost, / It must have been squandered.” The squirrel on the woman’s head is also interpreted as a symbol of greed. Amelie Roper interpreted the figure of the monk as Martin Luther and the woman as Katharina von Bora, thereby lending the caricatured depiction an amusing, socially critical, and religiously political tone (Roper, p. 433 ff.). The greed of the gluttons, who dream of “the Empire” and Venice, could then be understood as the Reformation movement’s hunger for power. The print is monogrammed “HB” in old brown ink in the upper left corner, possibly an early attribution to Hans Melchior Bocksberger, a woodcutter with a similarly accomplished technique and portrait quality. Copies of this exceptionally rare woodcut are held in the collection of the Albertina in Vienna (Inv. DG1937/339), where it is cataloged under Hans Schäufelein, as well as at the Veste Coburg (Inv. xiii,41,68, illustrated in Roper, fig. 17.8). On the reverse is a woodcut depicting three decorative columns. Excellent print, cut to the border line. Minor conservation flaws and restorations at the corners; however, a good copy considering the extreme rarity of the sheet. With Naudet’s pen signature, Paris 1815 (Lugt 1937). - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalog. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalog.

Text translated by DeepL.
Only the original version is legally binding

Auction details

Printed Art from the 15th to the 19th Century
Wednesday, November 25
10:00 AM
Erdener Strasse 5A
14193 Berlin, Germany

Auction house

Bassenge +49 3 08 93 80 290 info@bassenge.com
On Drouot for 2 years avec More than 21,000 lots published

Delivery is optional. You can use the carrier of your choice. The stated price does not include the lot price or the auction house fees.

Delivery Options

Log in or create an account to learn more about your delivery options for this sale!