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live November 18 | 06:00 PM
Hammer Auktionen AG

62 - Bangle, pre-coin currency

Starting price

CHF 5 (€5)

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Estimation

CHF 200 - 400 (€210 - 440)

Sale fees

26%

Bangle, pre-coin currency Kirdi, Cameroon Without base Copper alloy. H 9.7 cm. W 6.5 cm. Provenance: - Galerie Walu, Zurich. - Rudolf and Leonore Blum (1919–2009 / 1923–2013), Zumikon. - Hammer Auctions, Zurich, Dec. 10, 2016, Lot 13. - Claudine and Christoph Eichele (1952–2020 & 1949–2026), Brotte-lès-Luxeuil. - Eichele Community of Heirs. Throughout history, jewelry in a wide variety of forms and materials has accompanied and fascinated people of all cultures. From a cultural perspective, bracelets, anklets, amulets, rings, and necklaces are far more than mere pieces of jewelry. In much of Africa, these masterfully crafted treasures are valued for their beauty, yet these precious ornaments are above all an expression of religious beliefs and symbolize the wearer’s affiliation, status, and faith. In addition, healers prescribe the wearing of protective jewelry to aid in recovery or to ward off misfortune. These treasures were therefore also worn as magical, protective, and empowering objects. In addition to local materials such as gold, silver, copper, iron, stone, ivory, shell, and resin, popular imported goods such as glass, coral, and cowrie shells were also frequently used to create these valuable, one-of-a-kind pieces. Indian stone beads, for example, found their way to Africa early on via Near Eastern trade routes. Later, during Murano’s heyday from the 16th to the 19th century, glass beads of Italian origin were particularly popular. Due to the value of the raw materials used, jewelry served not only as an investment but also as a medium of exchange and a means of payment. These pre-coin forms of payment (so-called “primitive money”), which took standardized shapes, were traded over long distances. The use of imported manillas made of copper alloys as a medium of exchange can be traced back in Africa at least to the 16th century, when Portuguese trading posts were established in West Africa. Over time, these imported goods were repeatedly melted down and cast or forged into new forms. In the process, other materials, such as iron, were increasingly used in a similar manner. At the beginning of the 20th century, most colonial powers banned these forms of money in order to establish their own currencies. -------------------------------- Claudine Eichele (1952–2020) and Christophe Eichele (1949–2026) As the daughter of René and Denise David, the founders of Galerie Walu in Basel, Claudine Eichele was familiar with non-European art from an early age. From 1970 to 1990, she worked full-time at the gallery and undertook several trips to Africa in the 1980s. She subsequently remained associated with the gallery on and off and on a part-time basis. Christophe Eichele worked as an independent entrepreneur and marketing specialist. In addition, he was involved for many years in fundraising and marketing for the Swiss aid organization Brücke · Le pont. The couple spent their retirement in Brotte, France, where the collection they had built together also found a home. CHF 200 / 400 Weight in grams: 360 Condition: Hammer Auctions places great importance on providing a careful and as precise as possible description of all lots offered in the catalog. Each lot is documented with multiple photographs intended to provide as comprehensive an impression as possible of its condition. This includes, in particular, visible signs of wear, irregularities, and age-related changes. We recommend that all interested parties and bidders carefully examine the photographs before submitting a bid, as they form an essential part of the lot description. In addition, we recommend viewing the items in person before the auction, if possible. All condition descriptions are provided to the best of our knowledge and belief and are based on our professional assessment. They are provided for informational purposes only and do not claim to be exhaustive. In particular, there may be age- or use-related characteristics that are neither explicitly mentioned nor visible in the photographs. Hammer Auctions assumes no liability for unintentional errors or omissions in the condition descriptions to the extent permitted by law. However, we always strive to resolve any ambiguities or concerns in a transparent, fair, and straightforward manner. Should a lot differ significantly from its catalog description, Hammer Auctions offers a return option in accordance with the following provisions. Buyers may report such a discrepancy in writing within seven (7) calendar days of receiving the lot. If the complaint is justified, the lot may be returned by mutual agreement. The purchase price will be refunded in full upon receipt and inspection of the returned item. For Fra

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Auction details

HAMMER 163 / African, Oceanic, and Asian Art
Wednesday, November 18
06:00 PM
St. Jakobs-Strasse 59
4052 Basel, Switzerland

Auction house

Hammer Auktionen AG +41 4 44 00 02 20 info@hammerauktionen.ch
On Drouot for 5 years avec More than 8,000 lots published

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