34 - Standing Female Figure

Standing Female Figure Akan. Côte d’Ivoire Without base Wood. H 32 cm. Provenance: Swiss private collection, Bern. Acquired in Abidjan between 1969 and 1972. The term “Akan” refers to a group of linguistically and culturally closely related peoples in present-day Ghana and Côte d’Ivoire. These include, among others, the Ashanti, Fante, Akuapem, Akyem, Kwahu, Akwamu, Denkyira, Wassa, Nzema, Brong, Sefwi, Twifo, Ahafo, Dorma (Domaa), Adansi, Assin, Abrem, Agona, and Gomoa, as well as the Baule and Agni (Anyi) in Côte d’Ivoire. In the traditionally matrilineal societies of the Akan, women hold a special social status. Qualities such as self-confidence, grace, composure, dignity, stability, and poise define the ideal of feminine beauty and demeanor. An upright posture can be understood as an expression of dignity, vitality, and steadfastness. Themes such as motherhood, fertility, family, and ensuring the continuity of the maternal lineage play an important role in Akan culture. Female sculptures could serve as fertility figures, protective symbols, or representations of ancestors and were used in various ritual contexts depending on their function and regional traditions. This figure, carved from hard wood and featuring a beautiful, aged lustrous patina, attests to the skill of an experienced sculptor. Its meticulous, richly detailed craftsmanship is a characteristic example of the refined stylistic language of Akan sculpture. Further Reading: Cole, Herbert M. / Ross, Doran H. (1977). The Arts of Ghana. Los Angeles: University of California. CHF 300 / 600 Weight in grams: 307 Condition: Hammer Auctions places great importance on providing a careful and as precise as possible description of all lots offered in the catalog. Each lot is documented with multiple photographs intended to convey as comprehensive an impression of its condition as possible. This includes, in particular, visible signs of wear, irregularities, and age-related changes. We recommend that all interested parties and bidders carefully examine the photographs before placing a bid, as they form an essential part of the lot description. In addition, we recommend viewing the items in person before the auction, if possible. All condition descriptions are provided to the best of our knowledge and belief and are based on our professional assessment. They are provided for informational purposes only and do not claim to be exhaustive. In particular, there may be age- or wear-related characteristics that are neither explicitly mentioned nor visible in the photographs. Hammer Auctions assumes no liability for unintentional errors or omissions in the condition descriptions to the extent permitted by law. However, we always strive to resolve any ambiguities or concerns in a transparent, fair, and straightforward manner. Should a lot differ significantly from its catalog description, Hammer Auctions offers a return option in accordance with the following provisions. Buyers may report such a discrepancy in writing within seven (7) calendar days of receiving the lot. If the complaint is justified, the lot may be returned by mutual agreement. The purchase price will be refunded in full upon receipt and inspection of the returned item. We are always happy to assist you personally with any questions, additional photographs, or further information.