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Etching, lithograph, TEST AREAS FOR SUBJECT-CORE EXPERIMENTS: K, signed in lead under the print and marked E.A., WVZ Werner/Juppe G 100 i (AD), minor signs of age, paper edges partially browned, mounted in a mat, Image size approx. 21 x 16 cm, with mat approx. 60 x 50 cm, avant-garde artist in the fields of typographic art, visual and concrete poetry, and sound poetry; his body of work includes, among other things, “Artikulationen,” language sheets, and prints; the estate is listed as a registered cultural asset in the state of Saxony; from the 1940s onward, he explored linguistic and phonological phenomena; first poems, 1957: *Automatic Diary* in 80 sheets; friendships with Ernst Bloch, Franz Mon, Raoul Hausmann, and the Dresden painter Albert Wigand; in 1977, together with Michael Morgner, Thomas Ranft, Dagmar Ranft-Schinke, and Gregor-Torsten Schade, founded the artist collective and production gallery CLARA MOSCH; in the 1990s, focused primarily on visual poetry
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