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From the circle of PHILIPS WOUWERMAN (Haarlem, 1619–1668). "Equestrian Scene in Front of an Inn." Oil on panel. It shows craquelure and minor alterations to the paint layer consistent with its age. Measurements: 26.5 × 37 cm; 38 × 48.5 cm (frame). Provenance: Estate of Ramon Martí Alsina and Ricard Martí Aguiló. Artistic and heritage collection originating in the legacy of Catalan painters Ramon Martí Alsina (1826–1894), a seminal figure of 19th-century Catalan Realism, and his son Ricard Martí Aguiló (1857–1935). Passed down and enriched across successive generations, the collection brings together works from the original holdings of both artists alongside acquisitions made by their descendants. Dedicated to preserving and recovering the family legacy, the descendants actively reacquired works by the painters as they entered the market, progressively expanding the collection to encompass paintings, sculptures, archaeological artifacts, and other items of artistic and historical significance. The prominence given to the horses and the narrative nature of the scene place this work squarely within the pictorial tradition developed by Philips Wouwerman, a leading master of 17th-century Dutch equestrian painting. In front of a rustic structure, several figures tend to the animals while one of the horses rears up, introducing a marked focal point of movement. The dogs in the foreground and the secondary actions complete a scene conceived as an everyday episode rather than a strictly landscape-based representation. The composition is built using a subdued palette of earth tones, grays, and ochres, concentrating the main lighting effects on the horses and figures. The focus on the animals’ various postures, the inclusion of riders and ordinary folk, and the setting near stables or inns are all part of Wouwerman’s characteristic repertoire. In this regard, a comparison with “A Hunter,” held at the Museo Nacional del Prado, is significant, as the horse and its rider also take on a central role in that work. The Prado also houses works such as “Stop at the Inn,” in which groups of hunters and horses are arranged around an inn, confirming the frequency of this theme in his body of work. Philips Wouwerman pursued his career in Haarlem, where he joined the painters’ guild in 1640. He achieved particular renown for his landscapes populated by horses, riders, soldiers, hunters, and travelers, becoming one of the great masters of the equestrian genre during the Dutch Golden Age. His work enjoyed extraordinary popularity and was highly prized by European collectors in the 18th and 19th centuries. The Prado Museum houses an important collection of the artist’s paintings, including *A Hunter*, *Rest Stop at the Inn*, *Falconry Outing*, and *Hunting Party and Fishermen*.
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