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Anonymous, 18th century, Study of a Seated Moor. Red pencil on cream-colored laid paper. 545 x 445 mm. An academic exercise by an anonymous 18th-century artist, likely based on Pietro Tacca’s *Four Moors* (1623–1626), which adorn the base of the monument to Ferdinand I in Livorno. (1) Trace of a horizontal crease in the center; slight marginal imperfections.
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