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143 - Giuseppe Zocchi and Vincenzo Franceschini, View of a Section of the Lungarno and the Ponte a Santa Trinita, as Seen from the Palace of Mr. Marchese Ruberto Capponi. Florence: published by Giuseppe Allegrini, 1744 [1754]. Etching and engraving. 515 × 690 mm. Sheet: 575 × 755 mm. Lower left: “Io. Zocchi del.”; lower right: “V. Franceschini sculp.”; in the lower corner below, the number “T. VI.” A selection of twenty-four views of the principal districts, squares, churches, and palaces of the City of Florence, collected in 24 engraved sheets based on drawings by Giuseppe Zocchi on behalf of Marquis Andrea Gerini and published in Florence in three editions between 1744 and 1757. The first edition was edited by Giuseppe Allegrini in 1744; the second was published in 1754 and the last in 1757, both edited by Giuseppe Bouchard. A beautiful print with full line definition and brilliant inking on heavy laid paper without a watermark. (1) Copy with wide margins as in the original. Vertical binding crease in the center, reinforced on the reverse. Well-executed restorations along the central crease and at the margins, as well as to a tear within the engraving in the lower left corner.
Starting price
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Estimation
€280 - 560Sale fees
Giuseppe Zocchi and Vincenzo Franceschini, View of a Section of the Lungarno and the Ponte a Santa Trinita, as Seen from the Palace of Mr. Marchese Ruberto Capponi. Florence: published by Giuseppe Allegrini, 1744 [1754]. Etching and engraving. 515 × 690 mm. Sheet: 575 × 755 mm. Lower left: “Io. Zocchi del.”; lower right: “V. Franceschini sculp.”; in the lower corner below, the number “T. VI.” A selection of twenty-four views of the principal districts, squares, churches, and palaces of the City of Florence, collected in 24 engraved sheets based on drawings by Giuseppe Zocchi on behalf of Marquis Andrea Gerini and published in Florence in three editions between 1744 and 1757. The first edition was edited by Giuseppe Allegrini in 1744; the second was published in 1754 and the last in 1757, both edited by Giuseppe Bouchard. A beautiful print with full line definition and brilliant inking on heavy laid paper without a watermark. (1) Copy with wide margins as in the original. Vertical binding crease in the center, reinforced on the reverse. Well-executed restorations along the central crease and at the margins, as well as to a tear within the engraving in the lower left corner.
Auction details
Ancient, Modern, and Contemporary Art - Session IAuction house
Gonnelli Casa d'Aste +39 0 55 26 82 79 aste@gonnelli.itDelivery is optional. You can use the carrier of your choice. The stated price does not include the lot price or the auction house fees.