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142 - Thomas Worlidge, Portrait of Salvator Rosa. ca. 1740–1766. Etching and engraving. 138 × 93 mm. Sheet size: 149 × 105 mm. On the plate, in the lower right corner, the number “55” is engraved twice, once in reverse. From a drawing by Carlo Maratta, to whom no reference is made in this plate; the mention appears in another identical oval portrait engraved on the reverse side by Louis Félix La Rue (Davoli, 22903). Excellent impression on thick laid paper. ALSO INCLUDED: Filippo Teodoro di Liagno, known as Filippo d’Angeli or Filippo Napoletano (Rome, 1589–1629), a Landsknecht seen from behind. 1610–1630. Etching. 118x92 mm. Sheet: 138x113 mm. Bartsch, XVII, 2. Putaturo Muraro, pp. 197–199. From *Capricci e habiti militari*. At the bottom: “Teodor Filippo de Liagno inv et fecit. Gio Orlandi for in Napoli.” Good proof on heavy laid paper. (2) WORK 1: Copy with margins of 3/7 mm beyond the copper plate’s edge, mounted at the four corners onto an old album page measuring 312x177 mm and subsequently re-mounted in a modern cardboard mount. Traces of a few minor spots of foxing and old dust. WORK 2: Copy with good margins, mounted at two points at the top within a modern mount. Slight traces of dust.
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Estimation
€120 - 240Sale fees
Thomas Worlidge, Portrait of Salvator Rosa. ca. 1740–1766. Etching and engraving. 138 × 93 mm. Sheet size: 149 × 105 mm. On the plate, in the lower right corner, the number “55” is engraved twice, once in reverse. From a drawing by Carlo Maratta, to whom no reference is made in this plate; the mention appears in another identical oval portrait engraved on the reverse side by Louis Félix La Rue (Davoli, 22903). Excellent impression on thick laid paper. ALSO INCLUDED: Filippo Teodoro di Liagno, known as Filippo d’Angeli or Filippo Napoletano (Rome, 1589–1629), a Landsknecht seen from behind. 1610–1630. Etching. 118x92 mm. Sheet: 138x113 mm. Bartsch, XVII, 2. Putaturo Muraro, pp. 197–199. From *Capricci e habiti militari*. At the bottom: “Teodor Filippo de Liagno inv et fecit. Gio Orlandi for in Napoli.” Good proof on heavy laid paper. (2) WORK 1: Copy with margins of 3/7 mm beyond the copper plate’s edge, mounted at the four corners onto an old album page measuring 312x177 mm and subsequently re-mounted in a modern cardboard mount. Traces of a few minor spots of foxing and old dust. WORK 2: Copy with good margins, mounted at two points at the top within a modern mount. Slight traces of dust.
Auction details
Ancient, Modern, and Contemporary Art - Session IAuction house
Gonnelli Casa d'Aste +39 0 55 26 82 79 aste@gonnelli.itDelivery is optional. You can use the carrier of your choice. The stated price does not include the lot price or the auction house fees.