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407 - Robert Schwarz. Risunka. Lithographs for K. Malevich. Kasimir Malevich. On the Subjective and Objective in Art, or Art in General. Mainz 1990. 120 mostly multicolored lithographs. Original cardboard binding.
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Estimation
€300 - 450Sale fees
Robert Schwarz. Risunka. Lithographs for K. Malevich. Kasimir Malevich. On the Subjective and Objective in Art, or Art in General. Mainz 1990. 120 mostly multicolored lithographs. Original cardboard binding. Starting time: approx. 5:01 p.m. (schedule subject to change) One of ten special edition copies in which the lithographs were printed on packing paper and collages (total print run: 30). - Signed and numbered by the book artist in the colophon. - Robert Schwarz printed the text alongside color lithographs and, as a “quotation,” 34 lithographs by Malevich. Regarding the omnipresence of the square motif, an icon of modern art, art critic Paul Westheim once remarked: “Three days in Weimar, and you’ll never want to see another square for the rest of your life. Malevich had already invented the square in 1913. How fortunate that he didn’t patent it.” - See also: Abendland. Georg Trakl. Poems. Robert Schwarz. Lithographs. Johannes Strugalla. Typography. Mainz. Édition f. Despalles 1985. With nine folded color lithographs. Original thread-sewn paperback. One of 135 copies. Signed by both artists. German-French parallel text. Strugalla’s French translation appears here in its first edition. Isphording II, 847 and 180 26.5 : 25.5 cm. [120] pages. - Spine slightly darkened. english description: Spine slightly darkened
Auction details
Auction 34: Art & Books - Special Catalog: 20th-Century Artist's Books / Renker Collection, Part 2Auction house
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