326 - Joan Miró. *Le lézard aux plumes d’or*. Paris, Louis Broder 1971. With 15 color lithographs, including two double-page prints and one on the front cover, as well as 25 monochrome prints, including one on the parchment slipcase. Loose double-page sheets in original cover, parchment slipcase, and linen case.

Joan Miró. *Le lézard aux plumes d’or*. Paris, Louis Broder 1971. With 15 color lithographs, including two double-page prints and one on the front cover, as well as 25 monochrome prints, including one on the parchment slipcase. Loose double-page sheets in original cover, parchment slipcase, and linen case. Starting bid time: approx. 4:07 p.m. (schedule subject to change) One of 110 copies (total edition of 170). - The sheet bearing the copy number is signed by the artist. - On Rives vellum with Miró’s signature as a watermark. - Miró’s poem was lithographed based on his calligraphy; usually, two such “text pages” are followed by a lithograph. - Interior in impeccable condition. “‘Le Lézard aux plumes d’or’ was a book in which lithography was employed both for the fifteen illustrations and for the texts in Miró’s own handwriting. This approach, in which the author of the text was immediately recognizable upon opening the book, struck a perfect balance between Miró’s bold script and the visual impact of the images.” (Rosa Maria Malet). Cramer 148. - Mourlot 789–828. - Monod 8220 37.0 × 51.0 cm. [84] pages. - Case partially faded, with minimal foxing. - Parchment slipcase with numerous tiny foxing spots; interior in impeccable condition. English description: With 15 color lithographs, including two double-sided ones and one on the front cover, as well as 25 monochrome lithographs, including one on the parchment chemise. Loose double sheets in the original cover, parchment chemise, and cloth slipcase. One of 110 copies (total edition of 170). - The sheet bearing the copy number is signed by the artist. - On Rives vellum with Miró’s signature as a watermark. - Miró’s poem was lithographed based on his calligraphy; usually, two such “text pages” are followed by a lithograph. - Interior in impeccable condition. “›Le Lézard aux plumes d'or‹ was a book in which lithography was used both for the fifteen illustrations and for the texts in Miró’s own handwriting. This approach, in which the author of the text was immediately recognizable upon opening the book, struck a perfect balance between Miró’s bold script and the visual impact of the images.” (Rosa Maria Malet). Case partially faded, minimal foxing. - Parchment slipcase with many tiny foxing spots. Flawless on the inside.