310 - Joan Miró. Tracé su l’eau. Suite d’aquarelles. Paris, Maeght 1963. With 15 color offset prints based on watercolors. Loose double-sheets in the original cover featuring a color lithograph and the original silk slipcase.

Joan Miró. Tracé su l’eau. Suite d’aquarelles. Paris, Maeght 1963. With 15 color offset prints based on watercolors. Loose double-sheets in the original cover featuring a color lithograph and the original silk slipcase. Auction start time: approx. 3:56 p.m. (schedule subject to change) One of 100 copies of the special edition featuring the signed and numbered double-sheet-sized color etching, printed on Vélin de Rives. - Print mark signed by the artist in red crayon. - The watercolors were printed on thin Japanese paper (“Onion Skin du Marais”) at the Maeght studio and mounted onto the vélin sheets, the first double-sheet-sized print appearing before the title page. - Overall, a beautiful copy of this rare edition. Cramer 82. - Dupin 350. - Mourlot 314. - Not listed in Mourlot 30.0 : 36.2 cm. [48] pages. - Case has slight foxing. - The first 4 sheets have minimal foxing; the last four are slightly more affected along the fold. English description: With 15 color offsets based on watercolors. Loose double-sheet pages in the original wrapper featuring a color lithograph and the original silk case. One of 100 copies of the special edition featuring the signed and numbered double-sheet-sized color etching, printed on Vélin de Rives. - Print mark signed by the artist in red crayon. - The watercolors were printed on thin Japanese paper (“Onion Skin du Marais”) at the Atelier Maeght and mounted onto the vélin sheets, the first of which is double-sheet-sized and appears before the title page. - Overall, a beautiful copy of this rare edition. Case is slightly foxed. - The first 4 sheets show minimal foxing; the last 4 are more affected along the margins.