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372 - TWO POSTERS: 1) ALIGI SASSU MUSEUM OF THE ARTS, PALAZZO BANDERA, BUSTO ARSIZIO, DECEMBER 3, 1989 – FEBRUARY 28, 1990. Dimensions: 70 x 98.5 cm. Retrospective Exhibition (1929–1989) curated by Giuseppe Bonini, with critical essays by Rossana Bossaglia. The image shows a figure from the “Caffè” series of the 1930s, inspired by his time in Paris (source: https://www.fondazionebandera.it/). 2) CARLO ZAULI PLATES NO. 2 “VASO FORMA” 1963, 1200° STONEWARE, “LA RUOTA” EDITION – FORNOGALLERIA – ALBISOLA MARINA. Dimensions: 50 x 70 cm. Plates No. 2, “Vaso Forma” 1963. This refers to a work or study from 1963 linked to Zauli’s crucial phase known as “Attorno ad un vaso” (1950–1967), a period in which the archetype of the vase was radically reimagined and transformed into pure sculpture (source: https://museozauli.it/le-opere/).
TWO POSTERS: 1) ALIGI SASSU MUSEUM OF THE ARTS, PALAZZO BANDERA, BUSTO ARSIZIO, DECEMBER 3, 1989 – FEBRUARY 28, 1990. Dimensions: 70 x 98.5 cm. Retrospective Exhibition (1929–1989) curated by Giuseppe Bonini, with critical essays by Rossana Bossaglia. The image shows a figure from the “Caffè” series of the 1930s, inspired by his time in Paris (source: https://www.fondazionebandera.it/). 2) CARLO ZAULI PLATES NO. 2 “VASO FORMA” 1963, 1200° STONEWARE, “LA RUOTA” EDITION – FORNOGALLERIA – ALBISOLA MARINA. Dimensions: 50 x 70 cm. Plates No. 2, “Vaso Forma” 1963. This refers to a work or study from 1963 linked to Zauli’s crucial phase known as “Attorno ad un vaso” (1950–1967), a period in which the archetype of the vase was radically reimagined and transformed into pure sculpture (source: https://museozauli.it/le-opere/).