446 - After Georges BRAQUE (1882–1963)

After Georges BRAQUE (1882–1963) “Ilya” Lithograph on embossed Arches vellum paper gilded with 23K fine gold (958.3/1000) Based on the series “Homage to Braque’s Jewelry” by Heger de Löwenfeld Signed and numbered 55/200 in pencil in the lower right corner Engraved with “G. Braque” in the lower right corner, and the inscriptions “Homage to Braque’s Jewelry,” “ILYA,” “23-karat fine gold,” and “sculpt. Heger de Löwenfeld” at the bottom 38 x 56 cm. (Minimal wear) Note: This lithograph is part of the artistic legacy of Georges Braque, a major figure in modern art, whose work explores the connections between form, material, and poetry. In particular, it evokes the unique world of Braque’s precious sculptures and jewelry, which were showcased during the famous historic exhibition held from December 2, 1970, to January 15, 1971, at the Moulin de Vauboyen in Bièvres. This exhibition attests to the richness of an artistic language in which painting, sculpture, and jewelry come together in a shared quest for balance and expression. Description: Georges Braque’s final years were marked by his collaboration with Heger de Löwenfeld, which began in 1961. The diamond dealer transformed the painter’s gouaches into gold and gemstones, which Braque then authenticated with his signature. This gave rise to the “Metamorphoses” series—some one hundred designs for brooches, necklaces, and rings inspired by Greek mythology and bird motifs—which was exhibited in Paris at the Musée des Arts Décoratifs in 1963. Braque’s preference for grainy textures and his aversion to shiny gold influenced the matte finishes of these pieces. Alongside Pablo Picasso, Jean Arp, and Max Ernst—who entrusted their projects to the goldsmith François Hugo—Braque is among the painters who extended their artistic practice into precious metals. Löwenfeld continued this work after the painter’s death. This lithograph, attributed to the artist, is part of this series.