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417 - VARIOUS ARTISTS_x001D_ 20th/21st-century advertising posters for publications (2), bicycles (3), and other products or companies. A collection of 13 sheets, mostly in color, featuring graphics by or based on works by various artists, 1904–circa 1930. Includes posters for the “Waschanstalt Zürich” (Robert Hardmeyer, 1904), bicycles of the “Excelsior,” “Torpedo,” and “Victoria” brands (Julius Ussy Engelhard, 1921), the “Aquarius” all-weather coat (J. U. Engelhard, 1924), “Apollo” pencils by Johann Faber, “Dr. Thompson’s Soap Powder” (Brynolf Wenneberg), “Erdal” shoe care (folded), the “Oberst” masterpiece from the Waldorf-Astoria Cigarette Factory in Stuttgart (folded), “Springer & Möller” printing ink factories in Leipzig and the “Centrale für Spiritus-Verwerthung” in Berlin, as well as for “Engelhorn’s Novel Library” (Ludwig Hohlwein, 1912) and “Fliegende Blätter” (August Roeseler, ca. 1920). Mostly bearing the artist’s signature or monogram (some unidentified) and the printer’s address, and in some cases the date or place name within the illustration. On vélin. Various sizes. Mostly slightly to moderately stained and with (mainly along the margins) some retouched areas. [ms]
VARIOUS ARTISTS_x001D_ 20th/21st-century advertising posters for publications (2), bicycles (3), and other products or companies. A collection of 13 sheets, mostly in color, featuring graphics by or based on works by various artists, 1904–circa 1930. Includes posters for the “Waschanstalt Zürich” (Robert Hardmeyer, 1904), bicycles of the “Excelsior,” “Torpedo,” and “Victoria” brands (Julius Ussy Engelhard, 1921), the “Aquarius” all-weather coat (J. U. Engelhard, 1924), “Apollo” pencils by Johann Faber, “Dr. Thompson’s Soap Powder” (Brynolf Wenneberg), “Erdal” shoe care (folded), the “Oberst” masterpiece from the Waldorf-Astoria Cigarette Factory in Stuttgart (folded), “Springer & Möller” printing ink factories in Leipzig and the “Centrale für Spiritus-Verwerthung” in Berlin, as well as for “Engelhorn’s Novel Library” (Ludwig Hohlwein, 1912) and “Fliegende Blätter” (August Roeseler, ca. 1920). Mostly bearing the artist’s signature or monogram (some unidentified) and the printer’s address, and in some cases the date or place name within the illustration. On vélin. Various sizes. Mostly slightly to moderately stained and with (mainly along the margins) some retouched areas. [ms]