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27 - GIUSEPPE PINOT-GALLIZIO (1902–1964) INITIATION. 1961. Oil on plywood. 71 x 51 cm. On the reverse: signature, title, date, and personal dedication. The work is registered with the Pinot-Gallizio Archive, Turin.PROVENANCE: Work acquired directly from the artist; Marta Lonzi Collection; private collection, Milan; EXHIBITIONS: Pinot Gallizio, Dellupi Arte, Milan, October 26 – December 23, 2021; BIBLIOGRAPHY: G. Bertolino, F. Comisso, M. T. Roberto, *Pinot Gallizio: General Catalog of Works 1953–1964*, Ed. Mazzotta, Milan 2001, p. 219, no. 61, DT 64, ill.Pinot Gallizio, Dellupi Arte, Milan, 2021, p. 100, ill. As one of the leading figures in 20th-century Situationist art, Pinot Gallizio developed a radically experimental language based on the freedom of gesture and the transcendence of traditional artistic forms. Her work stems from a desire to transcend the conventional boundaries of the painting, relying on the spontaneity of the creative process and the power of the imagination. Gallizio’s continuous experimentation with techniques, materials, and artistic languages is intertwined with a profound theoretical framework, to the point where it becomes difficult to separate artistic practice from life itself. Painting thus becomes an open and vital space, free from conventions, in which gesture, material, and thought converge to construct a new concept of art. Frame included
GIUSEPPE PINOT-GALLIZIO (1902–1964) INITIATION. 1961. Oil on plywood. 71 x 51 cm. On the reverse: signature, title, date, and personal dedication. The work is registered with the Pinot-Gallizio Archive, Turin.PROVENANCE: Work acquired directly from the artist; Marta Lonzi Collection; private collection, Milan; EXHIBITIONS: Pinot Gallizio, Dellupi Arte, Milan, October 26 – December 23, 2021; BIBLIOGRAPHY: G. Bertolino, F. Comisso, M. T. Roberto, *Pinot Gallizio: General Catalog of Works 1953–1964*, Ed. Mazzotta, Milan 2001, p. 219, no. 61, DT 64, ill.Pinot Gallizio, Dellupi Arte, Milan, 2021, p. 100, ill. As one of the leading figures in 20th-century Situationist art, Pinot Gallizio developed a radically experimental language based on the freedom of gesture and the transcendence of traditional artistic forms. Her work stems from a desire to transcend the conventional boundaries of the painting, relying on the spontaneity of the creative process and the power of the imagination. Gallizio’s continuous experimentation with techniques, materials, and artistic languages is intertwined with a profound theoretical framework, to the point where it becomes difficult to separate artistic practice from life itself. Painting thus becomes an open and vital space, free from conventions, in which gesture, material, and thought converge to construct a new concept of art. Frame included