Upcoming auctions
1 / 9

To modify your purchase order,
contact the auction house.

live November 6 | 01:00 PM
Galerie Zacke

19 - KAJIKAWA BUNRUYSAI: A FINE FIVE-CASE TOGIDASHI LACQUER ‘ROOSTER AND HEN AMONG BLOSSOMING CHRYSANTEMUMS’ INRO, AFTER A DESIGN BY FUJIWARA MICHINOBU

Starting price

€1,200

The reserve price is the minimum price accepted by the seller. Bidders cannot see this price. To win an item, you must place the highest bid and meet or exceed the reserve price.

Registrations are closed for this sale. You cannot place a bid.

The converted amounts are provided for informational purposes only. Only the currency determined for the sale by the auction house is binding. You can select a different currency by going to the "Preferences" page in your profile.

Fees including the auction house's fees and the platform's fees. For further details, please refer to the auction house's General Terms and Conditions of Sale.

Estimation

€1,200 - 2,500

Sale fees

30%

KAJIKAWA BUNRUYSAI: A FINE FIVE-CASE TOGIDASHI LACQUER ‘ROOSTER AND HEN AMONG BLOSSOMING CHRYSANTEMUMS’ INRO, AFTER A DESIGN BY FUJIWARA MICHINOBU By Kajikawa Bunryusai, signed Bunryu 文龍 sha kore 寫之 with kakihan Japan, 18 th century, Edo period (1615-1868) Of upright rectangular form and oval section, bearing a fine dark brown lacquer ground subtly enlivened with e-nashiji, exquisitely decorated in gold, silver, and iro-e takamaki-e, hiramaki-e, and togidashi maki-e with a rooster and hen accompanied by several chicks among luxuriant chrysanthemums in full bloom. The plumage is meticulously articulated in contrasting tones and textures, while the blossoms and leafy stems are rendered with equal delicacy. Particularly striking is the sophisticated layering of the decoration, the softly polished togidashi-e passages appearing beneath areas of raised takamaki-e to create a remarkable sense of depth and pictorial richness. The interior cases are finished in fine nashiji with gold fundame rims. The underside is inscribed in gold lacquer Eisen Fujiwara Michinobu hitsu 栄川藤原典信筆 [painted/designed by Eisen Fujiwara Michinobu], with a circular red seal, and BUNRYU sha kore 文龍寫之 [Bunryu rendered/copied this], with the artist’s kakihan in red. With a coral ojime. HEIGHT 8.7 cm, LENGTH 4.8 cm Provenance: From the private collection of Alan and Simone Hartman, New York, United States. Alan Hartman (1930-2023) was an influential American art dealer, who took over his parents’ antique business in Manhattan and established the legendary Rare Art Gallery on Madison Avenue, with further locations in Dallas and Palm Beach. His wife Simone (née Horowitz) already served as assistant manager of the New York gallery before the couple were married in 1975, and together they built a renowned collection for over half a century and became noted art patrons, enriching the collections of important museums including the Museum of Fine Arts, Boston, which opened the Alan and Simone Hartman Galleries in 2013, as well as the Metropolitan Museum of Art and Brooklyn Museum in New York. Notably, they assembled an impressive collection of Japanese art, focusing on fine netsuke, inro, and lacquer. Condition: Good condition with minuscule nibbling and losses along the case edges, a few small lacquer bruises, the largest to the top, and expected general wear with light surface scratches. Presenting beautifully. Bunryusai I was an accomplished lacquer artist and the third master of the Kajikawa family, active in the service of the shogunate in the late seventeenth century. The name is frequently found on inro and other lacquer objects, although it is not recorded how many members of the Kajikawa family used it. Inro bearing this signature are generally considered to be the work of one or more artists active from the mid-eighteenth to the late nineteenth century, as Bunryusai II and III. For further reference on the artist, see Edward A. Wrangham and Joe Earl (eds.), The Index of Inro Artists, 1995, p. 31. Kano Eisen’in Michinobu (1730-1790) was the sixth head of the influential Kobikicho branch of the Kano school and served the Tokugawa shogunate as an official painter. His designs were also translated into lacquer by leading maki-e artists. Particularly relevant is an 18th-century Inro with Sparrows and Bamboo in the Edo-Tokyo Museum, explicitly recorded as maki-e by Kajikawa Bunryusai and painted by Kano Michinobu, providing direct evidence for precisely the collaboration indicated by the inscriptions on the present piece. Auction comparison: Compare a closely related four-case lacquer inro depicting a cockerel, hen, and chicks among stems of bamboo, by the same artist, signed Bunryusai utsusu and bearing the same kakihan, also worked in togidashi-e, dated to the 18th century, 7.1 cm high, at Bonhams, The Edward Wrangham Collection of Japanese Art, 9 November 2010, Part I, London, lot 246 (sold for GBP 5,400 or approx. EUR 10,000 converted and adjusted for inflation at the time of writing).

Auction details

Fine Netsuke & Sagemono
Friday, November 6
01:00 PM
Zelinkagasse 6
1010 Vienna, Austria

Auction house

Galerie Zacke +4315320452 office@zacke.at
On Drouot for 8 years avec More than 37,000 lots published

Delivery is optional. You can use the carrier of your choice. The stated price does not include the lot price or the auction house fees.

Delivery Options

Shipping We're pleased to provide shipping options and quotes. Please contact us at office@zacke.at for international shipping quotes. There may be extra fees associated with bulky or fragile items.

Auction house carriers
Log in or create an account to learn more about your delivery options for this sale!