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An exceptional, large, and finely woven wool and silk tapestry from the Royal Manufactory of Mortlake (England), second half of the 17th century, circa 1650–1670. Title: Children’s Bacchanal with a Goat, or The Triumph of Bacchus as a Child. Design by the painter Francis Cleyn (Clein), official draftsman of the Royal Manufactory of Mortlake appointed by King Charles I of England (1638), inspired by an Italian model (Jules Romain, a pupil of Raphael, 1530) and Flemish compositions. Part of the “Children’s Games” series (six to eight different panels: The Triumph of Bacchus as a Child, The Children’s Dance [the round dance], The Grape Harvest [or Fruit Picking], The Wine Press, and Water Games). The scene depicts a joyful procession of children, little imps surrounding the child Bacchus—crowned with vine branches—seated astride the back of a large goat with curved horns. On the right, two young boys wearing laurel wreaths are visible in profile, one playing cymbals and the other a trumpet, near a drunken figure lying on the ground beside two overturned golden Renaissance-style ewers symbolizing the wine flowing freely during Bacchus’s triumph (all these attributes—the goat, the cymbals, the thyrsus, the wine cup, and the wine jars are a superb example of English Baroque). In the background, rendered in Baroque perspective, is a large fortified mansion or castle surrounded by lush forest vegetation. Bead-and-reel border featuring pearls and small scrolls (with alternating gadroons, pearls, and ovals). The center of the border: decorated with rows of large, stylized, curled golden acanthus leaves surrounded by small bouquets of white flowers and red fruits on a midnight blue background. Four spandrels with gilded shells, creating the effect of picture frame moldings. Dimensions: 283 cm high x 531 cm wide (restorations, fresh colors, oxidation, and natural wear). Note: Mortlake, founded in 1619 during the reign of James I of England at the initiative of Sir Francis Crane I as a large workshop serving the royal court with Flemish weavers from Brussels, Antwerp, and the Southern Netherlands. Sources: 1) Cotehele House, Cornwall 2) National Trust 3) Holyrood Palace (Edinburgh, Scotland) 4) Boughton, Northamptonshire 5) Getty Collection
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