41 - MENCHU GAL (Irún, Guipúzcoa, 1919 – San Sebastián, 2008).

MENCHU GAL (Irún, Guipúzcoa, 1919 – San Sebastián, 2008). Untitled. Watercolor on paper. Certificate from the Menchu Gal Foundation is included. It has a crease in the middle. Signed in the lower left corner. Measurements: 45 x 61 cm; 68 x 84 cm (frame). This watercolor vividly reflects Menchu Gal’s artistic sensibility and her exceptional ability to translate the landscape into an image of intense poetic power. Through a composition in which an arched bridge bridges the space between the vegetation and a barely hinted-at hamlet, the artist eschews literal description in favor of atmosphere, light, and emotion. The work stands out for the freshness of its execution and for a masterful command of watercolor, a technique that Gal handled with a spontaneity that was only apparent. The transparencies, glazes, and fluidity of the color washes create a luminous and vibrant space, where contours fade and forms emerge with an economy of means characteristic of her more mature work. The harmonious palette of greens, ochres, grays, and accents of orange and red lends depth and a delicate chromatic balance. This composition reveals some of the qualities that made Menchu Gal one of the great innovators of landscape painting in 20th-century Spain. Her unique interpretation of the environment, far removed from any descriptive intent, makes color the primary vehicle of expression. Her free brushwork, formal simplification, and constant pursuit of light reveal her personal assimilation of Post-Impressionist and Fauvist teachings, always reinterpreted through a language that is unmistakably her own. Particularly notable is her ability to suggest the essence of a place using minimal means. Menchu Gal was a leading figure in the renewal of postwar Spanish landscape painting and was associated with the so-called Madrid School. Initially trained by Gaspar Montes Iturrioz, she furthered her studies in Paris with Amédée Ozenfant and at the San Fernando School of Fine Arts. In 1959, she became the first woman to win the National Prize for Painting. Her work is included in the collections of the Reina Sofía National Art Museum and the Bilbao Fine Arts Museum. Certificate from the Menchu Gal Foundation is attached. It has a crease in the middle.