12 - BERNARDO LÓPEZ PIQUER (Valencia, 1799 – Madrid, 1874).

BERNARDO LÓPEZ PIQUER (Valencia, 1799 – Madrid, 1874). “Ferdinand VII.” Oil on canvas. With a label on the back from the Confiscation Board. Measurements: 66 x 52 cm; 89 x 74 cm (frame). This portrait of Ferdinand VII follows the tradition of official Spanish court portraiture and adheres to the courtly style established by Vicente López Portaña, the artist’s father and one of the leading figures in Spanish painting of the late 18th and first half of the 19th centuries. Bernardo López Piquer extended and consolidated this artistic language, particularly in the genre of portraiture, becoming one of its most prominent practitioners during the reign of Isabella II. The work presents the monarch in a solemn and restrained manner, characteristic of ceremonial portraiture. The image of Ferdinand VII is therefore not limited to offering a physical likeness but rather reflects a specific visual construction of royal authority, Bernardo López Piquer belonged to a distinguished dynasty of painters. He was the son of Vicente López Portaña and the brother of Luis López Piquer, also a painter, with whom he collaborated, among other projects, on the decoration of the Cathedral of Orihuela. Like his father, he developed a special dedication to portraiture, a genre in which he achieved a particularly prominent position within the official painting of his time. He enrolled in the Royal Academy of Fine Arts of San Fernando in 1825 and, thanks in large part to his father’s position at court, began working for the Royal Palace. This proximity to the monarchy would prove decisive for his professional career and explains his significant focus on portraiture of members of the royal family and the political and social elites of the time. His institutional career was also extraordinary. In 1844, he was appointed director of studies at the San Fernando Academy, and the following year, president of its Painting Section, a position he held until 1874. He was also appointed honorary court painter to Isabella II in 1843 and was named first court painter on February 17, 1858, a position he would hold until the Revolution of 1868. Bernardo López Piquer’s significance within nineteenth-century Spanish painting is further reflected in the presence of his works in leading institutions such as the Prado Museum and the Royal Academy of Fine Arts of San Fernando, as well as in other public and private collections. With a label on the back of the Seizure Board. It shows signs of repainting and restoration.