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A VERY FINE AND LARGE ICON DEPICTING THE DESCENT INTO HELL, THE TWELVE MAJOR FEASTS OF THE ORTHODOX LITURGICAL YEAR, THE CRUCIFIXION, THE RAISING OF LAZARUS, AND THE BAPTISM OF CHRIST. Russian, Moscow or Solvychegodsk, Stroganov School, first third of the 17th century (icon). Tempera on wood panel with kovcheg. The background and halos are gilded. An icon of the highest quality, executed in exceptionally fine miniature painting. The figures are elegantly elongated, their garments richly highlighted with gold folds, and the architecture in the background is elaborately ornamented. The central panel was inserted at a later date (vrezka); the borders have been stripped down to the levkas, minimally restored, with losses along the lower border. 40.3 x 34 cm. A VERY FINE, LARGE-SCALE ICON DEPICTING CHRIST’S DESCENT INTO HELL, THE TWELVE GREAT FEASTS OF THE ORTHODOX LITURGICAL YEAR, THE CRUCIFIXION, THE RAISING OF LAZARUS, AND THE BAPTISM OF CHRIST. Russia, Moscow or Solvychegodsk, Stroganov School, 1st third of the 17th century (icon). Wood panel with two sponki on the reverse. Kovcheg, egg tempera on a chalk ground, background and halos gilded. 40.3 x 34 cm. An icon of the highest quality, executed in extremely fine miniature painting. The figures are elegantly elongated, the robes are adorned with rich gold folds, and the architectural elements in the background are richly ornamented. The central panel was inserted at a later date (vrezka); paint has worn off the edges; minimal restoration; loss of material along the lower edge.
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