253 - Glen Loates (Canadian, b. 1945). Offset lithograph on heavy paper, Giant Squid and Pisces VI, 1987. The work depicts a deep-sea encounter between two giant squids and the Pisces VI submersible, which features the National Geographic Society logo on its hull. Signed in gold ink at the lower left and numbered 79/500. Printed copyright information and date are visible in the lower-left corner of the image. Sight: 20 1/4 x 26 1/2 in. Sheet: 25 3/4 x 32 in. From the personal collection of Peter Benchley (American, 1940-2006), acclaimed author of Jaws, accomplished diver, and prominent advocate for ocean and shark conservation.

Glen Loates (Canadian, b. 1945). Offset lithograph on heavy paper, Giant Squid and Pisces VI, 1987. The work depicts a deep-sea encounter between two giant squids and the Pisces VI submersible, which features the National Geographic Society logo on its hull. Signed in gold ink at the lower left and numbered 79/500. Printed copyright information and date are visible in the lower-left corner of the image. Sight: 20 1/4 x 26 1/2 in. Sheet: 25 3/4 x 32 in. From the personal collection of Peter Benchley (American, 1940-2006), acclaimed author of Jaws, accomplished diver, and prominent advocate for ocean and shark conservation. Proceeds from the Peter Benchley Collection will benefit five ocean conservation organizations: Peter Benchley Ocean Awards, WildAid, Beneath the Waves, Blue Frontier and Environmental Defense Fund. CONDITION: Good condition. There is a distinct vertical area of yellowing and toning located in the center of the right white margin. Minor handling creases are present along the edges of the sheet. NOTICE TO BIDDERS: The absence of a condition report does not imply that the lot is in perfect condition. Photos are considered part of the condition report. Complete condition information is available by request, please request no later than 24 hours prior to the auction. All lots are offered and sold "as is", and Willow Auctions will not provide refunds based on condition. Timepiece movements, lighting and electrics have not been tested, and art has not been examined out of the frame unless otherwise stated.