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Two hardcover volumes on mid-century marine exploration and shark research. Jacques-Yves Cousteau (French, 1910-1997) and Theo W. Brown. The first volume is The Living Sea by Captain J. Y. Cousteau with James Dugan, published by Harper & Row in 1963. The second title is SHARKS-The Search for a Repellent by Theo W. Brown. Both books feature their original pictorial dust jackets over publisher's cloth-covered boards. The Cousteau volume includes twenty-four pages of color photographs that originally appeared in National Geographic Magazine. The volume by Theo Brown contains numerous illustrations and photographs documenting research into shark behavior and deterrents. 9 3/4" H x 6 3/4" W x 1 1/8" D. The books behind the books. Peter's working library of marine biology, maritime history, underwater archaeology, exploration and shark science is where The Deep, Beast, Shark Trouble and his National Geographic articles began. He loved these books and read them thoroughly. From the personal collection of Peter Benchley (American, 1940-2006), acclaimed author of Jaws, accomplished diver, and prominent advocate for ocean and shark conservation. Proceeds from the Peter Benchley Collection will benefit five ocean conservation organizations: Peter Benchley Ocean Awards, WildAid, Beneath the Waves, Blue Frontier and Environmental Defense Fund. CONDITION: The dust jacket for The Living Sea exhibits visible chipping and small tears along the top edges and spine. Both volumes show typical shelf wear consistent with age, including tanning to the text blocks and light soiling to the dust jackets. The bindings remain sound with light bumping to the spine ends. NOTICE TO BIDDERS: The absence of a condition report does not imply that the lot is in perfect condition. Photos are considered part of the condition report. Complete condition information is available by request, please request no later than 24 hours prior to the auction. All lots are offered and sold "as is", and Willow Auctions will not provide refunds based on condition. Timepiece movements, lighting and electrics have not been tested, and art has not been examined out of the frame unless otherwise stated.
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