Among the many directions they explored, the École de Nice holds a special place, illustrated by À bas le beau, vive le laid (Down with Beauty, Long Live Ugliness) by Benjamin Vautier, dated 1984 (est. €12,000–18,000), and a piece from Arman’s iconic “Colère” series (est. €22,000–30,000), another emblematic figure of the movement.
Arman
Colère, 1986
Smashed cellos and violins on burnt wooden panel
Est. €22,000–30,000
Turning to historical works, highlights include Figure panique, a gouache by André Masson (est. €6,000–8,000), and Vector Orange-White, an acrylic painting by American artist Alexander Liberman, formerly in the Roger Vivier collection (est. €12,000–15,000).
André Masson
Figure panique, 1961
Gouache and pastel on black paper
Est. €6,000–8,000
Their close relationship with Paris’s most cutting-edge galleries enabled them to acquire resolutely contemporary works, such as Paolo Caliari dixit, a diptych by Jean-Michel Alberola dated 1985 (est. €10,000–15,000), purchased from Galerie Templon, and Couteau, a monumental steel sculpture by Philippe Perrin (est. €12,000–15,000), acquired from Galerie Beaubourg.
Philippe Perrin
Couteau
Monumental steel sculpture
Est. €12,000–15,000
Design also played a central role in their lives. This passion is evident in their decorative — even baroque — pieces, such as works by Ria and Yiouri Augousti, who revived the materials and techniques that defined French decorative arts in the early 20th century, including a shagreen dressing table (est. €2,000–4,000).
Ria & Yiouri Augousti
Dressing table in metal and shagreen, circa 1995
Est. €2,000–4,000