Oger - Blanchet

Although OGER - BLANCHET was founded in 2002 when the monopoly on auctioneers was lifted, its roots lie in the experience of Maître Bernard Oger, who practised for over thirty years. Upon joining as a partner, Maître Adrien Blanchet brought a fresh dynamism to the firm, which now looks to the future by drawing on two highly complementary strengths: experience on the one hand, and an understanding of marketing techniques and new technologies on the other. This dual approach now enables the OGER – BLANCHET auction house to offer its clients solutions tailored to each individual work, whether significant or modest in scale. OGER - BLANCHET organises between thirty and fifty public auctions each year. Whether they are standard, high-profile or specialised in a specific field of human artistic and intellectual creation, the auctions are guided by a constant commitment to accurate description and the promotion of the items, with complete transparency towards the buying clients.

Our Philosophy

Driven by a passion for objects and works of art, OGER-BLANCHET Auction House is committed to showcasing each work according to its unique characteristics and presenting it to the appropriate audience, regardless of its absolute value. This is, of course, particularly true for major works, which require in-depth expertise and communication, but it can also prove effective for objects of lesser value, which appeal to a less affluent but equally passionate clientele.

It is therefore not so much the significance of a work that determines our success, but rather the value we can realise from a work on behalf of a client. Responsiveness is a core principle of our company, which relies on a close-knit team where every member is able to provide the appropriate answers regarding the objects or works entrusted to us.

Rigour is another key principle; given that our work involves handling several thousand items a year, it is an absolute necessity and is reflected in the strict processes we have put in place, as well as in the precision of the descriptions of the works we present.