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比拉尔 恩基·比拉尔 《黑教团的军团》, 达戈出版社 1979年 原版画第58幅,曾刊载于 1979年1月《Pilote Mensuel》第57期。附签名。 中国墨水绘于纸上 38.3 × 49.7 厘米(15.08 × 19.57 英寸) 《黑教团》由皮埃尔·克里斯汀编剧,在当时的漫画史上留下了浓墨重彩的一笔。这部曾在《解放报》上连载的漫画集,宣告了二十世纪两大意识形态——法西斯主义与共产主义——之间对抗的终结。 但若没有恩基·比拉尔的画作,这部漫画便不会如此震撼人心。20世纪70年代末,他摆脱了某种法比风格的写实主义,采用了一种鲜明的绘画手法,其中材质感、灰色调以及被疲惫雕琢出的面孔占据主导地位。 比拉尔的画风既细腻又充满肉体感,甚至在叙事明确点明之前,就让人感受到一个世界的终结,将意识形态的废墟转化为一种前所未有的、充满力量的黄昏美学。
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