33 - The Resurrection of Christ and the Twelve Great Feasts (Dodekaorton) - 19th century

The Resurrection of Christ and the Twelve Great Feasts (Dodekaorton) - 19th century Egg tempera and gold leaf on panel Height x width: 53.5 x 47.5 cm At its center, the work depicts the principal scene of Orthodox Easter, structured according to the traditional Slavic dual iconography that combines the Anastasis (the Descent into Hell and the liberation of Adam and Eve from the shattered gates of Hades) with the Resurrection of Christ rising in glory from the tomb. Surrounding this central core—symmetrically arranged in twelve peripheral panels separated by gilded bands bearing identifying inscriptions in Cyrillic script—is the cycle of the twelve Great Feasts of the Byzantine liturgical year. The narrative sequence encompasses the fundamental feasts of the Savior and the Mother of God (Despotic and Theomitoric feasts), including the Nativity of the Virgin, the Presentation in the Temple, the Annunciation, the Nativity of Christ, the Baptism in the Jordan (Theophany), the Transfiguration on Mount Tabor, the Entry into Jerusalem, the Crucifixion, the Ascension, Pentecost (the Descent of the Holy Spirit), and the Dormition of the Mother of God (Uspenie). Stylistically, the icon displays exquisite, miniature-like painting, particularly in the anatomical details and geometric drapery—characteristics typical of devotional works from the late 18th or early 19th century intended for private collections or small liturgical settings. The surface is embellished with a gold-leaf *basma* border that serves as a luxurious decorative frame, imitating metalwork models; it is adorned with stylized geometric patterns that elegantly frame the individual sacred scenes. H.E. Most Rev. Francisco-Javier Lozano Sebastián, Titular Archbishop of Penafiel and Apostolic Nuncio Emeritus. Item condition grading: **** good.The lot is in a good state of preservation with the normal wear and defects commensurate with its age and use over time. Minor color losses.