1 - SALVATORE TESTA

SALVATORE TESTA Red Petals by Salvatore Testa, oil on Pieraccini cotton canvas, 55x70 cm. Salvatore Testa, September 2026, Naples. 5.5 cm stretcher frame. The nude is merely a pretext to create the magic of chiaroscuro and color. I am not interested in the grace of postures or faces, and even less in the charm and sensuality of the subjects. I certainly alter and heavily modify expressions; I could never create a painting if the expressions were not exactly the ones I have in mind, since they are a vehicle for thought, whereas physical charm is not. The nude is notoriously the most difficult subject in painting, because it encapsulates all the colors of the palette and is by no means pink as beginners believe, who would do better to consider it a gray. Conversely, fruits or flowers present very straightforward and identifiable colors; moreover, fruits, flowers, and landscapes offer enormous tolerance for error in tones, since a certain inaccuracy can always find justification in the variability of nature. In the nude, however, this tolerance is zero: one must hit the tone perfectly in the shadows and chiaroscuro transitions, otherwise the image looks like a mere sketch. My canvas "Red Petals" depicts two friends who seem to be posing, or perhaps caught by chance in a surreal place. The horizontal black stripe suggests the presence of a wall, making it ambiguous whether the petals are drawn on the wallpaper or falling, and it works precisely because of this. The symmetry of the background imparts an intelligent order of things in itself, a geometric order useful for counterbalancing sensuality, which is not sought after yet remains inevitable in a nude.