Null MANIFATTURA SCOGNAMIGLIO. Attribuito a. Sileno ubriaco. Scultura galvanica
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Description

MANIFATTURA SCOGNAMIGLIO. Attribuito a. Sileno ubriaco. Scultura galvanica Basata su un originale romano scoperto nella "Casa dei Marmi" di Pompei. 56,5 cm (altezza). Difetti di patina e ruggine.

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MANIFATTURA SCOGNAMIGLIO. Attribuito a. Sileno ubriaco. Scultura galvanica Basata su un originale romano scoperto nella "Casa dei Marmi" di Pompei. 56,5 cm (altezza). Difetti di patina e ruggine.

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PASCAL MOURGUE (France, 1943) for SCARABAT, Spain. Chair from the "Contraste" series, 1983. Wood and upholstery. Model illustrated in: P. Kjellberg, "Le mobilier du XXe siècle Dictionnaire des créateurs", p. 443 (Paris; Les Éditions de l'Amateur, 2000). Measurements: 90 x 73 x 52 cm. Chair with structure based on uprights and crosspieces of square section, combined to form an openwork scheme of great lightness, with seat and central part of the backrest upholstered in black fabric. Mourgue's "Hallmarks" series was originally published in 1983, and that same year was exhibited at the Musée des Arts Décoratifs in Paris. Pascal Mourgue studied sculpture at the Ecole Boulle, and later graduated from the Ecole Nationale Supérieure des Arts Décoratifs in Paris. He began designing furniture in 1962, always prioritizing artistic integrity over commercial success. This love of art has led him to work in fields as diverse as sailboat design for Cartier, ornamental glass objects for Baccarat, architecture, painting and sculpture. It was not until the 1980s that he finally focused his career on home furnishings.

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PASCAL MOURGUE (France, 1943) for SCARABAT, Spain. "Arc" chair, 1987. Beech wood and grille. Measurements: 80 x 59 x 135 cm. Chair with a structure based on uprights and crosspieces combined to form a very light openwork scheme, with seat and back in grids. The legs adopt the shape of an arch or quarter of a circle, extracting the maximum effectiveness from the curved forms in contrast to the straight ones. Pascal Mourgue studied sculpture at the École Boulle, and later graduated from the Ecole Nationale Supérieure des Arts Décoratifs in Paris. He began designing furniture in 1962, always prioritizing artistic integrity over commercial success. This love of art has led him to work in fields as diverse as sailboat design for Cartier, ornamental glass objects for Baccarat, architecture, painting and sculpture. It was not until the 1980s that he finally focused his career on home furnishings.

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Palm tree lamp. Attributed to MAISON JANSEN, ca. 1980's. Brass shaft, metal leaves. It shows wear and marks of use. Measurements: 76 x 27 x 27 cm. Floor lamp in the form of a palm tree, with brass shaft and metal leaves with mahogany patina. It is probable that it belongs to Maison Jansen, because it follows the same models and the same technique as the palm tree lamps of this prestigious house dedicated to luxury decoration. The Palmera lamp is the star piece of Maison Jansen, an icon for lovers of interior decoration. With a proven track record, Maison Jansen has decorated the residences of such important personalities as the Kennedys, the Duke and Duchess of Windsor, Coco Chanel and the March family. Founded in 1880 by Dutch designer Jean-Henri Jansen (1854-1928), its aesthetics were based on French furniture combined with aesthetic influences from around the world. His most sought-after pieces reflected the influence of antique designs from the Louis XIV, Louis XVI, Directory and Empire eras, as well as objects Jansen found during his travels to Japan and Turkey. It shows wear and tear and marks of use.

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Side table in 20th century brutalist style. Wooden base and glass top. Slight damage to the wooden base. Measurements: 46 x 76 x 76 cm. The strong geometric shapes of this table harmonise with the simplicity of the style and fit in with the brutalist trend, based on the adaptation of the original raw concept and idea, adapting them to all spaces in a subtle and elegant way.

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