Null Grande specchio tripartito con cornice in legno tinto, inizio XX secolo. Sp…

Description

Grande specchio tripartito con cornice in legno tinto, inizio XX secolo. Specchio con vetri smussati 197x90 cm (chiuso) e 197x180 cm (aperto). In buone condizioni.

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Grande specchio tripartito con cornice in legno tinto, inizio XX secolo. Specchio con vetri smussati 197x90 cm (chiuso) e 197x180 cm (aperto). In buone condizioni.

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Estim. 1 500 - 2 000 EUR

Desk, mid 20th century design. Rosewood. Needs refinishing. Measurements: 76 x 152 x 85 cm. Desk made entirely of rosewood, with a design of refined shapes, regular straight lines and rounded volumes, which contrast expressively with the beautiful natural grain of the wood, with sinuous, organic lines. It consists of a rectangular, sharp-edged tabletop, raised on two side frames made up of two straight, rectangular legs, joined together by a lower footing of the same shape, and a half-height crossbar, which reinforces the construction. The back of the cabinet is closed with three doors, two simple side doors and a central one that acts as a hinged lid, each with an independent lock. Two drawer units are located at the front, on either side of the central leg compartment. Each side body has three drawers with smooth, moulded fronts and a recessed handle, made from the same wood.

Estim. 3 500 - 3 400 EUR

ALDO TURA (Italy, 1909 - 1963). Cabinet bar, 1960s. Rosewood, red lacquered goatskin and mirror lined interior. Measurements: 155 x 80 x 44 cm. This cabinet bar, designed by Aldo Tura around 1960, consists of a structure in macassar wood, with bronze hardware and upholstery in goatskin parchment. Raised on a pedestal of classical inspiration, formed by a prismatic base and a baluster, it consists of a prismatic body with two front doors of beautiful grain, with long hinges imitating those of the Gothic period and two arched handles also historicist. Inside it has a space entirely covered with mirror, divided by two glass shelves. Aldo Tura began his career in experimental furniture design in the 1930s. After the marked and angular forms of Art Deco, in these years wood began to be used in free forms, full of curves, and Tura saw in this new taste a new direction for furniture design. His work is a significant combination of free and uninhibited forms, sometimes exceptionally ironic. His designs are also examples of the highest craftsmanship, often being produced in limited edition series, and even just a prototype. In the 1950s, Tura discovered the evocative charm of furniture painted with Venetian architectural views, and also began to experiment with various materials, such as eggshell, parchment, goatskin or wood veneers.

Estim. 600 - 650 EUR

WK MÖBEL table. Germany, 1960s. Green stained pine wood. With publisher's label. Measurements: 72 x 197 x 90 cm. This large dining table with spade legs connected to each other by a chambrana guarantees German style and functionality. Founded in Germany in 1948, WK Möbel embodies German design precision and functional sophistication. Its commitment to sustainable luxury has led it to create pieces that combine eco-friendly materials with exquisite design.

Estim. 1 500 - 1 600 EUR

PAUL TUTTLE (Missouri, USA, 1934 - California, USA, 2002) for Strässle International. Nonna" rocking chair, 1970s. Tubular chrome, ebonized bentwood, beige canvas and Swiss cowhide. The seat and backrest consist of a thick canvas that is attached to the frame with a large buckle and a strap to which cowhide is sewn. The chrome is bright, pitted-free and the black ebonized bentwood frame is splinter-free. The thick leather upholstery is soft, worn and free of rips or tears. Overall it is in very good condition, with appreciable wear in the images, which does not interfere with the overall view of the set. Measurements: 100 x 90 x 55 cm; 40 cm (seat height). This iconic piece of furniture is the epitome of mid-century modern design, with clean lines, smooth curves and a classic black lacquered wood frame that is as durable as it is elegant. Paul Tuttle was an American interior and furniture designer known for his sleek, modern pieces. He combined materials such as leather, metal, chrome and glass. He started in the 1950s with his mentor Alvin Lustig, from whom he drew inspiration. In his work he always sought the purest form of function.

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