Null Pittore anonimo del XIX secolo, grande natura morta con mele, olio su tela,…

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Pittore anonimo del XIX secolo, grande natura morta con mele, olio su tela, non firmato, restaurato e ritoccato, 90 x 134 cm, incorniciato 130 x 175 cm

7523

Pittore anonimo del XIX secolo, grande natura morta con mele, olio su tela, non firmato, restaurato e ritoccato, 90 x 134 cm, incorniciato 130 x 175 cm

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Startpreis 400 EUR

Punzo, CiroDer Golf von Neapel. Um 1900. Öl auf Holzplatte. 18,5 x 31,8 cm. Signiert. Verso von fremder Hand mehrfach bezeichnet. Im üppigen, goldfarbenen Stuckrahmen gerahmt. - Entlang der Ränder mit leichtem Farbabrieb als Spur der Rahmung. Vereinzelt mit kleinen, oberflächlich aufliegenden braunen Flecken. Malschicht etwas nachgedunkelt. Insgesamt gut. Italien Punzo, Ciro Der Golf von Neapel. Um 1900. Öl auf Holzplatte. 18,5 x 31,8 cm. Signiert. Verso von fremder Hand mehrfach bezeichnet. Im üppigen, goldfarbenen Stuckrahmen gerahmt. - Entlang der Ränder mit leichtem Farbabrieb als Spur der Rahmung. Vereinzelt mit kleinen, oberflächlich aufliegenden braunen Flecken. Malschicht etwas nachgedunkelt. Insgesamt gut. Italienischer Maler der Jahrhundertwende, der seine Heimatstadt Neapel künstlerisch mit etlichen Ansichten der Stadt huldigte. Oil on wooden panel. Signed. On the verso inscribed several times by an unknown hand. Framed in an opulent, golden stucco frame. - Slight colour abrasion along the edges as a trace of the framing. Sporadically with small, superficial brown stains. Paint layer slightly darkened. Overall good. - Italian painter from the turn of the century who paid artistic homage to his home city of Naples with unnumerous views of it.

Schätzw. 2 000 - 2 500 EUR

Sunset in the Park, Francisco Torrescassana (Barcelona, 1845-ibidem, 1918), 19th century Catalan school Signed and dated 1875, canvas measurements: 46 x 35 cm, framed measurements: 52 x 40 cm. Spanish painter, disciple of Ramón Martí Alsina. Works by Torrescassana are preserved, among others, in the National Museum of Art of Catalonia, the Víctor Balaguer Library Museum, or the Museum of Art of Gerona, and the collection of Banco Sabadell, with a painting dedicated to the vintage in which the traditional realism that characterized much of his painting, closely linked to the teachings received from Martí Alsina, opens up to new studies of light. As for portraits, also abundant in his artistic production, the University of Barcelona keeps the portrait of Pablo González Huebra in the rectoral gallery, as well as in the dining room of Antoni Gaudí's Casa Vicens. Bibliography: Alcolea, Santiago, Paintings of the University of Barcelona. Catalog, University of Barcelona, 1980, ISBN 84-852-5721-9

Schätzw. 4 500 - 6 500 EUR

Dutch School of Rembrandt from the 17th century, attributed to Jourdeville, Isaac de (1612 in Leiden – 1645 in Amsterdam) 81 x 66 cm, no frame attached. Important and decorative portrait of a Turbaned Knight, possibly a wealthy Dutch merchant. Work markedly connected with the Dutch school of Rembrandt of the 17th century, specifically in the style of his best disciple, Isaac de Jourdeville, who, born an orphan, soon became Rembrandt's student in November 1629 and traveled with him to Amsterdam in 1631 There are still documents related to their learning written by their tutors. He returned to Leiden to marry Maria le Febure (1619-1653) in 1636 and moved to Deventer in 1641. He lived in Deventer for only a few years; In 1643 he was back in Amsterdam, where he died young in 1645. His widow Maria married the glassmaker Pieter de Melder in 1648 and his daughter Mariecke later married the painter Frederik de Moucheron. Following the death of Maria le Febure, her second husband declared himself unable to support her first husband's three children, along with her own two children, although she offered to raise Jacob Jouderville until the age of 18. By then De Melder He acted as an art dealer, and the liquidation of his wife's estate shows an interesting list of artists to whom his estate owed money or who owed money to his estate. Provenance: private collection, Barcelona.

Schätzw. 150 - 225 EUR

Quattro libri di letteratura specialistica sulla gioielleria Art Nouveau costituiti da: The Art of the Jeweller, catalogo della mostra del British Museum, volume I testo, volume II tavole; Twentieth-Century Jewelry, Barbara Cartlidge; Russian Jewellery, Mid 19th century - 20th century; Le Bijou en suisse au XXe siécle, la bibliothique des arts, formato max. 4°, lievi tracce di studio.

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