292 - SALVADOR DALÍ I DOMÈNECH (Figueras, Girona, 1904–1989).

SALVADOR DALÍ I DOMÈNECH (Figueras, Girona, 1904–1989). “The Descent from the Cross.” 1986. Engraving, print no. 139/195. Signed and numbered by hand. With notary stamps on the reverse. Measurements: 41 x 33 cm (print); 75.5 x 55.5 cm (paper), 87 x 66.5 cm (frame) The work “Descent from the Cross,” created by Dalí in 1986, belongs to his late graphic oeuvre, a period in which the artist—already at the height of his worldwide fame—explored themes of great spiritual depth and transcendence, often rooted in Christian iconography, but always through his unmistakable surrealist and “mystical-nuclear” lens. During his early years, Dalí discovered contemporary painting during a family visit to Cadaqués, where he met the family of Ramón Pichot, an artist who traveled regularly to Paris. Following Pichot’s advice, Dalí began studying painting with Juan Núñez. In 1922, Dalí took up residence at the famous Residencia de Estudiantes in Madrid to begin his studies in Fine Arts at the San Fernando Academy. However, before his final exams in 1926, he was expelled for claiming that no one at the academy was qualified to examine him. That same year, Dalí traveled to Paris for the first time. There he met Picasso and established certain formal characteristics that would become distinctive features of his entire body of work from that point on. His artistic language absorbed influences from many artistic styles, ranging from classical academicism to the most groundbreaking avant-garde movements. At that time, the painter grew a striking mustache modeled after Velázquez’s, which would become his personal trademark for the rest of his life. In 1929, Dalí collaborated with Luis Buñuel on the film *Un perro andaluz*, which featured scenes drawn from the surrealist imagination. In August of that same year, he met his muse and future wife, Gala. During this period, Dalí held regular exhibitions in both Barcelona and Paris and joined the Surrealist group based in the Parisian neighborhood of Montparnasse. His work had an enormous influence on the direction of Surrealism over the next two years, and he was hailed as the creator of the paranoid-critical method, which was said to help access the subconscious by unleashing creative artistic energies. The painter arrived in America in 1934, thanks to the art dealer Julian Levy. Following his first solo exhibition in New York, his international reputation was firmly established, and from then on he exhibited his work and gave lectures all over the world. Most of his body of work is housed at the Dalí Theater-Museum in Figueras, followed by the collection at the Salvador Dalí Museum in St. Petersburg (Florida), the Reina Sofía in Madrid, the Salvador Dalí Gallery in Pacific Palisades (California), the Es