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19th Century Pictures & Works on Paper

19th Century Pictures & Works on Paper

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Donnington Priory RG14 2JE, Newbury

247 results

JOSEPH FARINGTON, R.A. (BRITISH 1747-1821)A FARMHO

200 - JOSEPH FARINGTON, R.A. (BRITISH 1747-1821)A FARMHOUSE IN A CLEARINGPen and brown ink, over pencil, grey wash within the original washline mountSigned (lower left)31 x 45cm (12 x 17½in.)Provenance:Lowell Libson, London, 2006Guy Peppiatt Fine Art, London, 2018The collection of Russell Worby

Estimation

€1,700 - 2,400

EDWARD DAYES (BRITISH 1763-1804)RHAEADR DU, GWYNED

201 - EDWARD DAYES (BRITISH 1763-1804)RHAEADR DU, GWYNEDDGrey and blue wash over pencilInscribed 'Rhaidr Du or Balck Fall nr Tany Bwlch' (on the reverse, according to the previous cataloguing)24 x 37.5cm (9¼ x 14¾in.)Provenance:Andrew Wyld Fine Art, London, 2011The collection of Russell WorbyWaterfalls acted as magnets for the Picturesque tourist, painter and poet and in the 1780s and 1790s Dayes travelled to Wales (another view in Denbighshire in the collection of the Whitworth Art Gallery, Manches

Estimation

€590 - 960

PAUL SANDBY, R.A. (BRITISH 1731-1809)MRS STEELE'S

202 - PAUL SANDBY, R.A. (BRITISH 1731-1809)MRS STEELE'S HOUSE, PEASCOD STREET, WINDSORPencilInscribed 'Mrs Steeles Peascod St Windsor' (upper left) and with initial 'F' (lower right)11 x 19cm (4¼ x 7¼in.)Provenance:Admiral Sir James Hawkins-Whitshead (1762-1849)Sale, Sotheby's, London, 14 April 1994, probably lot 318Abbott and Holder, LondonThe collection of Russell WorbyWindsor’s Peascod Street was where the wealthy lived. Peascod Street (pea-pod street), refers to the pea fields in the area and

Estimation

€350 - 600

PAUL SANDBY, R.A. (BRITISH 1731-1809)AN ITALIAN CA

203 - PAUL SANDBY, R.A. (BRITISH 1731-1809)AN ITALIAN CAPRICCIOPencil and watercolourSigned (lower left, in the margin)10.5 x 13.5cm (4 x 5¼in.)Provenance:Abbott and Holder, LondonThe collection of Russell Worby

Estimation

€230 - 360

JOHN WARWICK SMITH, O.W.S. (BRITISH 1749-1831)A WA

204 - JOHN WARWICK SMITH, O.W.S. (BRITISH 1749-1831)A WATERFALL ON THE RIVER RHEIDOL, WITH CATTLE IN THE DISTANCE, NORTH WALESPencil and watercolourSigned and dated '1789' (lower right)17 x 24cm (6½ x 9¼in.)Provenance:Heather Newman Fine Art, GloucestershireSale, Christie's, London, Old Master Paintings, Scultpure, Drawings and Watercolours, 4 December 2024, lot 219The collection of Russell Worby

Estimation

€590 - 960

JOHN WARWICK SMITH, O.W.S. (BRITISH 1749-1831)MILL

205 - JOHN WARWICK SMITH, O.W.S. (BRITISH 1749-1831)MILL ON A RIVER, WALESWatercolour over pencilSigned and dated '1785' (lower left)20.5 x 33.5cm (8 x 13in.)Provenance:Dudley Snelgrove F.S.A. (1906 - 1992)His Sale, Sotheby's, London, The Collection of the Late Dudley Snelgrove, 19 November 1992, lot 199Guy Peppiatt Fine Art, LondonThe collection of Russell WorbyDudley Snelgrove, M.B.E. who previously owned this watercolour was a collector and student of British drawings. He worked at the British Muse

Estimation

€590 - 960

ANTHONY DEVIS (BRITISH 1729-1816)AN ALPINE VIEWPen

206 - ANTHONY DEVIS (BRITISH 1729-1816)AN ALPINE VIEWPencil, pen and grey ink and grey wash11 x 16cm (4¼ x 6¼in.)Provenance:Marshall SpinkJohn Spink, LondonThe collection of Russell Worby

Estimation

€470 - 720

ANTHONY DEVIS (BRITISH 1729-1816)DEER PARK WITH FI

207 - ANTHONY DEVIS (BRITISH 1729-1816)DEER PARK WITH FIGURES AND A DOGPencil, pen and grey ink and grey and blue wash17 x 26cm (6½ x 10in.)Provenance:Dunn CollectionJohn Spink, LondonThe collection of Russell Worby

Estimation

€590 - 840

ANTHONY DEVIS (BRITISH 1729-1816)RUSTIC BUILDINGPe

208 - ANTHONY DEVIS (BRITISH 1729-1816)RUSTIC BUILDINGPen and grey ink, grey wash within the artist's pen and ink borderSigned with monogram (lower right)14 x 21cm (5½ x 8¼in.)Provenance:John Trower and by descentAbbott and Holder, LondonThe collection of Russell Worby

Estimation

€350 - 600

WILLIAM DAY (BRITISH 1764-1807)VIEW OF A VALLEY, W

209 - WILLIAM DAY (BRITISH 1764-1807)VIEW OF A VALLEY, WITH TWO FIGURES, ONE POSSIBLY SKETCHINGPencil, pen and grey ink and grey wash19.7 x 28.9cm (7¾ x 11¼in.)Provenance:Sale, Christie's, London, Old Masters, Painting, Sculpture, Drawings and Watercolours, II, 8 December 2023, lot 196The collection of Russell WorbyWilliam Day was an accomplished gentleman artist, see Iolo Williams in his Early English Watercolours, 1952. Judy Egerton in her article in The Connoisseur, 1970, pp. 176-185 states that

Estimation

€1,100 - 1,800

JOHN WHITE ABBOTT (BRITISH 1763-1851)A VIEW IN THE

210 - JOHN WHITE ABBOTT (BRITISH 1763-1851)A VIEW IN THE WEST COUNTRY WITH A PAIR OF HORSES HAULING GRANITE IN THE FOREGROUNDPen and grey ink and grey and blue wash19.5 x 27.5cm (7½ x 10¾in.)Provenance:John Spink, LondonThe collection of Russell WorbyLiterature:T. Wilcox, Francis Towne and Friends, exhibition catalogue, 2005, no. 28

Estimation

€950 - 1,500

SIR GEORGE BEAUMONT (BRITISH 1753-1827)AN OLD CART

211 - SIR GEORGE BEAUMONT (BRITISH 1753-1827)AN OLD CART, UNDER A SHELTER WITH SHEEP GRAZINGPencil, pen and grey ink and brown and grey washDated '1799' (verso)17 x 23.3cm (6½ x 9in.)UnframedProvenance:Sir Francis Beaumont, BtThe collection of Russell WorbyThe present drawing was executed circa 1799. Beaumont was strongly influenced by John Constable who he met in 1795 and 1798.

Estimation

€710 - 960

JAMES WARD, R.A. (BRITISH 1769-1859)STUDY OF A SWA

212 - JAMES WARD, R.A. (BRITISH 1769-1859)STUDY OF A SWAN LANDINGPencilSigned with initials (lower right)15 x 17cm (5¾ x 6½in.)Provenance:Sir John Clement Witt (1907-1982) (L. 2228b) and by descent until 2017Guy Peppiatt Fine Art LondonThe collection of Russell Worby

Estimation

€590 - 840

JAMES WARD, R.A. (BRITISH 1769-1859)ENTRANCE TO TH

213 - JAMES WARD, R.A. (BRITISH 1769-1859)ENTRANCE TO THE PEAK CAVERN, DERBYSHIREPencilSigned with monogram and inscribed with title (lower left)25.5 x 36cm (10 x 14in.)Provenance:Peter CochraneSale, Christie's, London, Dramas of Light and Land: The Martyn Gregory Collection of British Art, 10-24 March 2022, lot 19The collection of Russell WorbyExhibited:London, Martyn Gregory, An Exhibition of British Watercolours and Drawings 1730-1870, cat. 89, 10-25 May 2012, no. 77Ward had several important patro

Estimation

€1,700 - 2,400

SAMUEL PROUT, O.W.S. (BRITISH 1783-1852)A FIGURE S

214 - SAMUEL PROUT, O.W.S. (BRITISH 1783-1852)A FIGURE SEATED BESIDE MAEN ROCK, CORNWALLPencil and brown wash on buff coloured paperInscribed with title (lower left)28.5 x 41cm (11 x 16in.)Provenance:John Spink, LondonThe collection of Russell WorbyLiterature:J. Spink and T. Wilcox, Samuel Prout: A Grand Tour in Watercolour, 2017, ill. pl. 2As a young man, Prout was fascinated with natural rock features and standing stones that proliferated Devon and Cornwall. Due to their mutual interest in these lan

Estimation

€470 - 720

NICHOLAS POCOCK (BRITISH 1740-1821)FISHING BOATS C

215 - NICHOLAS POCOCK (BRITISH 1740-1821)FISHING BOATS COMING INTO A BEACHPen and black ink and grey wash in laid paper11.5 x 17cm (4½ x 6½in.)Provenance:Ruskin GalleryAbbott and Holder, LondonThe collection of Russell Worby

Estimation

€170 - 300

GEORGE DANCE THE YOUNGER, R.A. (BRITISH 1741-1825)

216 - GEORGE DANCE THE YOUNGER, R.A. (BRITISH 1741-1825)STEALING A BOTTLEPencil, traces of brown ink16.8 x 16.3cm (6½ x 6¼in.)Provenance:From an album formed by George Ashburnham, Viscount St Asaph (1785-1813)Lowell Libson and Jonny Yarker Ltd., LondonThe collection of Russell Worby

Estimation

€470 - 600

GEORGE DANCE THE YOUNGER, R.A. (BRITISH 1741-1825)

217 - GEORGE DANCE THE YOUNGER, R.A. (BRITISH 1741-1825)THIS MORN I'VE ORDER'D FOR OUR MEAL, SWEET MAID, A BUTTOCK O' BEEF!!Pencil, pink and grey wash, watermark 1794Inscribed with title (lower centre)16 x 29.5cm (6¼ x 11½in.)Provenance:Sabin Gallery, LondonWilliam DrummondGuy Peppiatt Fine Art, London, 2020The collection of Russell WorbyExhibited:London, Sabin Gallery, The Sublime and Beautiful” Portraits and OtherDrawings by Nathanial Dance R.A. and George Dance R.A., 27 March - 18 April 1973, n

Estimation

€350 - 600

THOMAS ROWLANDSON (BRITISH 1757-1827)SAINT CARLO B

218 - THOMAS ROWLANDSON (BRITISH 1757-1827)SAINT CARLO BORROMEO GIVING ALMS TO THE POORPencil, pen and grey ink and grey wash42 x 26cm (16½ x 10in.)Provenance:The collection of Russell WorbyThe present sketch by Rowlandsonis after a drawing by Louis-Jacques Durameau (1733-1796) which was commissionedby Pierre Jean Mariette (1694-1774). The drawing was after the painting byPreti Mattia in the Chiesa di S. Carlo, Rome. Mariette commissioned a series ofdrawings from Durameau to record painting in Rome.

Estimation

€290 - 420

JOHN VARLEY, O.W.S. (BRITISH 1778-1842)TWO VIEW OF

219 - JOHN VARLEY, O.W.S. (BRITISH 1778-1842)TWO VIEW OF THE INTERIOR AT BOSTON HALL, LINCOLNSHIREPencil, pen and grey ink and watercolourOne signed and dated '1803' (lower left) and inscribed 'Boston Hall, Lincoln' (verso)19 x 28cm (7¼ x 11in.)Provenance:Augustus Walker, 1946Sale, Sotheby's, London, 1 April 1976, lot 67Martyn Gregory, London.Private collection, Monaco, 1980Martyn Gregory, London.Davis and Long, New YorkMimi and Sandford Feld, 1981Davis and Langdale, New YorkThe collection of Russell

Estimation

€1,400 - 2,200

DAVID COX, SEN, O.W.S. (BRITISH 1783-1859)VIEW OF

220 - DAVID COX, SEN, O.W.S. (BRITISH 1783-1859)VIEW OF HADDON HALLPencil and watercolour, heightened with touches of whiteSigned (lower left)11 x 16cm (4¼ x 6¼in.)Provenance:Presented to Keith and Dorothy Lamb, by Trenchard Cox, Curator of Birmingham Art Gallery & Director of Victoria and Albert Museum, LondonThe collection of Russell WorbyExhibited:Birmingham, Birmingham Museum and Art Gallery, David Cox Centenary Exhibition, 1959, no. 41. lent by Keith LambHaddon Hall was a favourite subject of D

Estimation

€710 - 960

DAVID COX, SEN., O.W.S. (BRITISH 1783-1859)LLANPET

221 - DAVID COX, SEN., O.W.S. (BRITISH 1783-1859)LLANPETER CHURCH, NORTH WALESPencil, pen and sepia washInscribed with title (lower left)19.5 x 27cm (7½ x 10½in.)Together with a pencil drawing of a rocky hillside by the same hand (2)Provenance:Sale, Christie's, London, Dramas of Light and Land: The Martyn Gregory Collection of British Art, 10-24 March 2022, lot 52The collection of Russell Worby

Estimation

€830 - 1,200

WILLIAM CALLOW, R.W.S. (BRITISH 1812-1908)TREES AT

222 - WILLIAM CALLOW, R.W.S. (BRITISH 1812-1908)TREES AT MADELEY MANOR, STAFFORDSHIREPencil and black chalk on grey paperInscribed with title and dated 'Sep. 7. '42' (lower right)25 x 35cm (9¾ x 13¾in.)Provenance:Guy Peppiatt Fine Art, LondonThe collection of Russell WorbyCallow visited Madeley Manor in Staffordshire in September 1842 to give drawing lessons to a Miss Crewe, sister of Lord Crewe. Madeley Manor was the home of her aunt Mrs Cunliffe Offley.

Estimation

€710 - 960

JOHN HENDERSON (BRITISH 1764-1843)THE HARBOUR AND

223 - JOHN HENDERSON (BRITISH 1764-1843)THE HARBOUR AND CUSTOMS HOUSE, WEYMOUTH, DORSETWatercolour over traces of pencil10.4 x 15.6cm (4 x 6in.)Provenance:Guy Peppiatt Fine Art, LondonThe collection of Russell WorbyHenderson was an amateur artist and early patron of Girtin and Turner who he met through Dr Thomas Monro (1759-1833) who was a neighbour on Adelphi Terrace, London. Girtin and Turner copied Henderson's original watercolours, many of Dover, in the mid 1790s. Two other Weymouth views by Hende

Estimation

€830 - 1,200

WILLIAM EVANS OF BRISTOL (BRITISH 1809-1858)COTTAG

224 - WILLIAM EVANS OF BRISTOL (BRITISH 1809-1858)COTTAGE INTERIOR WITH A WOMAN SPINNINGPencil and watercolourSigned and dated '1848' (lower left)23.5 x 36cm (9¼ x 14in.)Provenance:Martyn Gregory, November 1987, no. 15His Sale, Christie's, London, Dramas of Light and Land: The Martin Gregory Collection of British Art, 10-24 March 2022, lot 82The collection of Russell WorbyExhibited:London, Martyn Gregory, British Watercolours and Drawings, 2020, no. 20Literature:M. Gregory, William Evans of Bristol (

Estimation

€830 - 1,200

GEORGE RICHMOND, R.A. (BRITISH 1809-1896)THE ARTIS

225 - GEORGE RICHMOND, R.A. (BRITISH 1809-1896)THE ARTIST'S FAMILYPencil14 x 17cm (5½ x 6½in.)Provenance:Abbott and Holder, LondonThe collection of Russell Worby

Estimation

€230 - 360

BRISTOL SCHOOL (19TH CENTURY)THREE MEMBERS OF THE

226 - BRISTOL SCHOOL (19TH CENTURY)THREE MEMBERS OF THE SKETCHING CLUBPencil and watercolour16.5 x 24.5cm (6¼ x 9½in.)Provenance:Martyn Gregory, LondonThe collection of Russell WorbyExhibited:London, Martyn Gregory, British Drawings and Watercolours, Summer 2020, no. 27The present watercolour depicts members of the Bristol Sketching Club on a winter's evening, drawing side by side by lamp light. The Bristol Sketching Club was not a formal institution, but it laid the foundations for the emergence of

Estimation

€830 - 1,200

SIR JOSHUA REYNOLDS, R.A. (BRITISH 1723-1792)SKETC

227 - SIR JOSHUA REYNOLDS, R.A. (BRITISH 1723-1792)SKETCH FOR A FAMILY PORTRAIT WEARING VAN DYCK COSTUMEPencil and inkBearing partial watermark ‘GR’, page numbered top corners 95-9612.5 x 17cm (4¾ x 6½in.)Provenance:Probably the sale at Christie’s 26 May 1821, as the property of Sir Joshua’s niece Mary Dowager, Marchioness of Thormond, his principle Heiress, where over 450 drawings and nine sketchbooks were sold in a total of 15 lots (and most of the drawing and sketches by Reynolds extant d

Estimation

€2,300 - 3,600

THOMAS GAINSBOROUGH, R.A. (BRITISH 1727-1788)MOUNT

228 - THOMAS GAINSBOROUGH, R.A. (BRITISH 1727-1788)MOUNTAINOUS LANDSCAPE WITH CATTLE BESIDE A POOLPen and brown ink, grey and blue-grey washes on laid paper25.5 x 20cm (10 x 7¾in.)Executed circa 1772Provenance:Acquired by present owner from a private collection, c. 1970Literature:To be included in any future addendum to the Catalogue RaisonnéThis drawing has only recently been identified as autograph. The sensitivity of the drawing is especially evident in the trunk of the tree on the right and the

Estimation

€5,900 - 9,600

PAUL SANDBY, R.A. (BRITISH 1731-1809)A CASTLE IN

229 - PAUL SANDBY, R.A. (BRITISH 1731-1809)A CASTLE IN A ROCKY LAKE LANDSCAPEPencil, pen and grey ink and watercolour24 x 35cm (9¼ x 13¾in.)Executed circa 1800.

Estimation

€1,400 - 2,200

MARY MITFORD (BRITISH C.1770-1850)DUMBARTON CASTLE

230 - MARY MITFORD (BRITISH C.1770-1850)DUMBARTON CASTLE APPROACHING FROM GLASGOWWatercolour over traces of pencilSigned and titled (according to label verso)27 x 44.5cm (10½ x 17½in.)Provenance:Richard Ivor, LondonAcquired from the above, October 1989Little is known about Mary Mitford's training, although both of her brothers, Colonel William Mitford (1744-1827) and John Mitford, later 1st Baron Redesdale (1748-1830), were pupils of the artist and cleric Rev. William Gilpin (1724-1804), renowned as

Estimation

€950 - 1,500

WILLIAM DANIELL, R.A. (BRITISH 1769-1837)MISTLEY H

231 - WILLIAM DANIELL, R.A. (BRITISH 1769-1837)MISTLEY HALL, THE SEAT OF LORD RIVERSWatercolour over pencil heightened with white10.5 x 16.5cm (4 x 6¼in.)Together with an engraving of the original watercolour to the reverseProvenance:The collection of Irene and Stanhope SheltonThe print after Daniell's drawing was used to illustrate Churton's Portrait and Landscape Gallery, containing Portraits of the English Female Nobility, and Landscape Views of Nobleman's Seats (1836).

Estimation

€710 - 960

FOLLOWER OF CHARLES D'OYLYVIEW OF A WATERFALLWater

232 - FOLLOWER OF CHARLES D'OYLYVIEW OF A WATERFALLWatercolour with scratching out8 x 10.5cm (3 x 4in.)

Estimation

€230 - 360

FRANCIS NICHOLSON (BRITISH 1753-1844)A PAPER MILL

233 - FRANCIS NICHOLSON (BRITISH 1753-1844)A PAPER MILL NEAR RICHMOND, YORKSHIREWatercolour over pencilSigned, inscribed and dated 'A paper mill near Richmond, Yorkshire / F Nicholson, 1810' (on a fragment of old backing attached to the backboard)37 x 51cm (14½ x 20in.)Provenance:Andrew Wyld, London, 2007, no. 767 WSSale, Sworders, Stansted Mountfitchet, Oil Paintings, Watercolours, Prints, Jewellery, Silver, Textiles, Rugs, 26 July 2006, lot 729From a Deceased Estate

Estimation

€710 - 960

JAMES WARD, R.A. (BRITISH 1769-1859)A MILL ON THE

234 - JAMES WARD, R.A. (BRITISH 1769-1859)A MILL ON THE RIVERPencilSigned with artist's monogram and inscribed variously in artist's shorthand and 'Combe Valle/River Kledar'24.5 x 37cm (9½ x 14½in.)UnframedProvenance:With Spencer'sPrivate collection, Peter Cochrane (1913-2004), purchased from the above, July 1940The present drawing possibly depicts a scene on the River Cleddau, West Wales.

Estimation

€950 - 1,500

MILES EDMUND COTMAN (BRITISH 1810-1858)MOUNTAIN LA

235 - MILES EDMUND COTMAN (BRITISH 1810-1858)MOUNTAIN LANDSCAPE WITH TENT ON THE SHORE OF A LAKEWatercolour over traces of pencil20.5 x 30cm (8 x 11¾in.)Provenance:Anthony Reed, London

Estimation

€830 - 1,200

JAMES WARD, R.A. (BRITISH 1769-1859)STUDY FOR THE

236 - JAMES WARD, R.A. (BRITISH 1769-1859)STUDY FOR THE PORTRAIT OF THE LADIES ELIZABETH AND GEORGIANA STANHOPE, THE NIECE AND DAUGHTER OF 5TH EARL OF CHESTERFIELDBlack and white chalkSigned with initials (lower left); bears inscription 'Study for Ld Chesterfields/Picture of His Daughters' (on the backing)37.5 x 28.5cm (14¾ x 11in.)UnframedThe present drawing is a study for the portrait of the Ladies Elizabeth and Georgiana Stanhope, the niece and daughter of Philip Stanhope, 5th Earl of Chesterfiel

Estimation

€3,500 - 6,000

JOHN VARLEY, O.W.S. (BRITISH 1778-1842)DROVERS ON

237 - JOHN VARLEY, O.W.S. (BRITISH 1778-1842)DROVERS ON A ROAD, A RUINED CASTLE BEYONDWatercolour24.5 x 43cm (9½ x 16¾in.)Provenance:Stanley W Fisher, WorcestershireSale, Christie's, London, 9 June 1970, lot 85

Estimation

€710 - 1,200

FOLLOWER OF PAUL SANDBYA TRAVELLER STOPPING AT AN

238 - FOLLOWER OF PAUL SANDBYA TRAVELLER STOPPING AT AN INN; A FARM BY A RIVERWatercolour and pen, oval, a pairEach 15.5 x 20.5cm (6 x 8in.) (2)

Estimation

€470 - 720

ROBERT HILLS O.W.S. (BRITISH 1769-1844)DONKEYS IN

239 - ROBERT HILLS O.W.S. (BRITISH 1769-1844)DONKEYS IN A WOODLAND GLADEWatercolour and pencilSigned and dated '1828' (lower left)30.5 x 42cm (12 x 16½in.)Provenance:Property from a Deceased Estate

Estimation

€350 - 600

GEORGE ARTHUR FRIPP O.W.S. (BRITISH 1813-1896)RICH

240 - GEORGE ARTHUR FRIPP O.W.S. (BRITISH 1813-1896)RICHMOND CASTLE, YORKSHIREWatercolour over pencil heightened with touches of bodycolour and with scratching outSigned (lower right)36 x 54.5cm (14 x 21¼in.)Provenance:Lebbeus Colls, LondonSale, Cheffins, Cambridge, The Interiors Sale, 14 October 2021, lot 271Property from a Deceased Estate

Estimation

€950 - 1,500

GEORGE ARTHUR FRIPP O.W.S. (BRITISH 1813-1896)DROV

240-A - GEORGE ARTHUR FRIPP O.W.S. (BRITISH 1813-1896)DROVING CATTLE AT TREBARWITH, CORNWALLWatercolour over pencilSigned, inscribed and dated 'Trebarwith. 1864.' (lower right)24 x 33cm (9¼ x 12in.)Provenance:Sale, Bellmans, Billingshurst, Old Master, British & European Paintings, 28 March 2023, lot 199Property from a Deceased EstateFripp exhibited three sets of four views of Trebarwith at the Society of Painters in Water-colours in 1864, nos. 27, 113 and 134.

Estimation

€470 - 720

SAMUEL JACKSON (BRITISH 1794-1869)AN ANGLER ON THE

241 - SAMUEL JACKSON (BRITISH 1794-1869)AN ANGLER ON THE DART, DEVONWatercolour with scratching out on paper21.5 x 29cm (8¼ x 11¼in.)Provenance:Sale, W&H Peacock, Bedford, Antique Furniture and Collector's Items, 6 July 2001, lot 140Agnew's, London, no. DB5911Andrew Wyld, LondonProperty from a Deceased EstateExhibited:London, Agnew's, 129th Annual Watercolour Exhibition, 13 February - 8 March 2002, no. 72

Estimation

€710 - 960

ATTRIBUTED TO JOHN MIDDLETON (BRITISH 1827-1856)FA

242 - ATTRIBUTED TO JOHN MIDDLETON (BRITISH 1827-1856)FARMYARD, TUNBRIDGE WELLSWatercolour over traces of pencil48.5 x 33cm (19 x 12in.)Provenance:Property from a Deceased Estate

Estimation

€710 - 960

SAMUEL PROUT O.W.S. (BRITISH 1783-1852)PLACE DE LA

243 - SAMUEL PROUT O.W.S. (BRITISH 1783-1852)PLACE DE LA PUCELLE D'ORLÉANS, ROUENWatercolour, pen and ink heightened with touches of white over pencilSigned (lower centre)41 x 27cm (16 x 10½in.)Provenance:Sale, Christie's, London, 31 July 1958, where purchased by Hately, Winterbottom and ThorneProperty from a Deceased Estate

Estimation

€710 - 960

WILLIAM ALFRED DELAMOTTE (BRITISH 1775-1863)FRAUEN

244 - WILLIAM ALFRED DELAMOTTE (BRITISH 1775-1863)FRAUENKIRKE, DRESDENWatercolour, pencil and ink with scratching outTitled (lower left); signed and indistinctly dated '1836[]' (lower right)38 x 26.5cm (14¾ x 10¼in.)Provenance:Property from a Deceased Estate

Estimation

€470 - 720

WILLIAM CALLOW R.W.S. (BRITISH 1812-1908)OLD HOUSE

245 - WILLIAM CALLOW R.W.S. (BRITISH 1812-1908)OLD HOUSES, FRANKFURTWatercolour and bodycolour over pencil on oatmeal paper, with scratching outIndistinctly signed (lower left) and signed and indistinctly dated (lower centre); further inscribed and numbered 'Old Houses at Frankfurt/ near the Cathedral/ No 2-' (verso)29.5 x 19cm (11½ x 7¼in.)Provenance:The collection of Frank Harris Fulford of Headingley Castle, Leeds (1868-1943)Sale, Sotheby's, London, 18th and 19th Century British Drawings and Wate

Estimation

€830 - 1,200

JAMES BAKER PYNE (BRITISH 1800-1870)OLEVANO, ITALY

246 - JAMES BAKER PYNE (BRITISH 1800-1870)OLEVANO, ITALYWatercolour and pencil with touches of bodycolour on paperSigned and numbered '203' (lower left)57.5 x 47.5cm (22½ x 18½in.)Provenance:The collection of the artistHis estate sale, Christie's, London, The Remaining Works, in Oil and Water-colours of James Baker Pyne, Deceased, 25-27 February 1871, lot 203, where purchased by RipleySale, Clevedon Salerooms, Bristol, Quarterly Specialist Sale, 10 June 2021, lot 389Property from a Deceased Estate

Estimation

€350 - 600

CHARLES BAXTER (BRITISH 1809-1879)A LADY WITH A BU

247 - CHARLES BAXTER (BRITISH 1809-1879)A LADY WITH A BULLFINCHOil on canvas, framed oval74 x 61.5cm (29 x 24in.)Provenance:Sale, Sotheby's, Belgravia, Fine Victorian Paintings, Drawings and Watercolours, 18 March 1980, lot 185Thomas Fine Art, West Sussex (as James Sant, Portrait of Soprano Adelina Patti)

Estimation

€2,300 - 3,600

WILLIAM CALLOW, R.W.S. (BRITISH 1812-1908)MELROSE

248 - WILLIAM CALLOW, R.W.S. (BRITISH 1812-1908)MELROSE ABBEY FROM THE BANKS OF THE RIVER TWEEDWatercolour over pencil, heightened with touches of bodycolour and scratching outSigned and indistinctly dated (lower left)35 x 53cm (13¾ x 20¾in.)Callow visited Scotland in the summer of 1843 and stopped at Melrose on his way home. He later exhibited two watercolours at the Society of Painters in Water-colours of views of Melrose Abbey, in 1847 (Melrose Abbey from the Banks of the Tweed) and 1849 (Distant

Estimation

€2,300 - 3,600

THOMAS SHOTTER BOYS, O.W.S. (BRITISH 1803-1874)A P

249 - THOMAS SHOTTER BOYS, O.W.S. (BRITISH 1803-1874)A PATHWAY THROUGH TREESWatercolour, heightened with touches of bodycolour and with scratching out26 x 18cm (10 x 7in.)Thomas Shotter Boys moved to Paris in 1823 and became acquainted with Richard Parkes Bonington (1802-1828), who encouraged him to take up watercolour painting. While in Paris he shared a studio with William Callow (1812-1908). He returned to London in 1837 and in 1840 and 1841 he became respectively an Associate and then a full Membe

Estimation

€2,300 - 3,600

HERCULES BRABAZON BRABAZON (BRITISH 1821-1906)VIEW

250 - HERCULES BRABAZON BRABAZON (BRITISH 1821-1906)VIEW OF CAPRIWatercolour and bodycolourSigned with initials and inscribed 'Capri' (lower right)25 x 35cm (9¾ x 13¾in.)Brabazon was feted by great art critic John Ruskin, who wrote in 1882, 'Brabazon is the only person since Turner at whose feet I can sit and worship and learn about colour'. He was also a a friend of the American artist John Singer Sargent, who painted his portrait (National Portrait Gallery) and wrote in the introduction to Brabazo

Estimation

€1,100 - 1,800

REVD. EDWARD BRADLEY 'CUTHBERT BEDE' (BRITISH 1827

251 - REVD. EDWARD BRADLEY 'CUTHBERT BEDE' (BRITISH 1827-1889)BRIGHTON BEACHWatercolour over pencil heightened with whiteSigned (lower left); with old mount inscription 'BRIGHTON BEACH, OCTOBER, 1864 / Cuthbert Bede invt. & delt.' (now to the reverse)36 x 50cm (14 x 19½in.)Provenance:Francis Greenacre

Estimation

€950 - 1,500

PIERRE LAPRADE (FRENCH 1875 - 1934)PERSONNAGES DAN

252 - PIERRE LAPRADE (FRENCH 1875 - 1934)PERSONNAGES DANS UN PARCWatercolour and pencilSigned with initials (lower right)22 x 14cm (8½ x 5½in.)Provenance:Galerie Charpentier, ParisExhibited:Paris, Galerie Charpentier, Exposition un Siecle d'Aquarelle, March 1942, No. 188

Estimation

€110 - 180

NIKOLAI MAKOVSKY (RUSSIAN 1842-1886)A STREET IN CA

253 - NIKOLAI MAKOVSKY (RUSSIAN 1842-1886)A STREET IN CAIROPencil and watercolour heightened with white on cardSigned in Cyrillic (lower right)26 x 18.5cm (10 x 7¼in.)

Estimation

€4,700 - 7,200

NORTH ITALIAN SCHOOL (19TH CENTURY)A SET OF SIX TR

254 - NORTH ITALIAN SCHOOL (19TH CENTURY)A SET OF SIX TROMPE L'ŒIL'S DEPICTING PRINTS, LETTERS AND PLAYING CARDSWatercolour, gouache, pen and ink with traces of pencil on paper laid to canvasEach 33 x 49.5cm (12 x 19¼in.) (6)

Estimation

€2,300 - 3,600

JEAN-FRANÇOIS-THÉRÈSE CHALGRIN (FRENCH 1739-1811)B

255 - JEAN-FRANÇOIS-THÉRÈSE CHALGRIN (FRENCH 1739-1811)BALLROOM FOR THE DAUPHIN'S WEDDING TO MARIE ANTOINETTE, 1770Watercolour, pen and black ink, pencil and grey wash, heightened with white on laid paper49.5 x 66.5cm (19¼ x 26in.)Provenance:The collection of Victorien SardouHis sale, Galerie Georges Petit, 27-28 April 1909, lot 49Sale, Me Ader, Hôtel Drouot, Paris, 14 December 1962, lot 23 (where misattributed to François-Joseph Bélanger according to label verso)The collection of Olivier Lefue

Estimation

€3,500 - 6,000

SIMEON SOLOMON (BRITISH 1840-1905)SOMNUS; AMOR, VO

256 - SIMEON SOLOMON (BRITISH 1840-1905)SOMNUS; AMOR, VOLUPTAS; AND MORSColoured chalks over pencil, four sheets framed as oneEach inscribed with their titles (to the lower draperies)Overall 74 x 152.5cm (29 x 60in.), each individually 51 x 29.5cm (20 x 11½in.)In the original frameProvenance:Mrs Abrahams and by bequest to the mother of the presentowner.Simeon Solomon was the last of eight children born into anaffluent, artistically inclined middle-class Jewish family. His father was aprosperous hat i

Estimation

€35,000 - 60,000

SIR EDWARD COLEY BURNE-JONES (BRITISH 1833-1898)ST

257 - SIR EDWARD COLEY BURNE-JONES (BRITISH 1833-1898)STUDY OF A WOOD NYMPH AND A SEA NYMPHBrown and grey wash, white chalk over pencil on brown paper35.5 x 51cm (13¾ x 20in.)Provenance:Hartnoll & Eyre, 1972The collection of the Hon. Patrick and Lady Amabel LindsayExhibited:London, Hartnoll & Eyre, An Exhibition of Drawings and Watercolours by T. M. Rooke, 5-22 December 1972,no. 13The present drawing, despite being included in Hartnoll & Eyre's 1972 exhibition of drawings by T.M. Rooke (1842-1942),

Estimation

€2,300 - 3,600

JOHN MELHUISH STRUDWICK (BRITISH 1849-1937)STUDY F

258 - JOHN MELHUISH STRUDWICK (BRITISH 1849-1937)STUDY FOR ST CECILIA (RECTO); STUDY FOR SUMMER SONGS (VERSO)Pencil16.5 x 16cm (6¼ x 6¼in.) (2)Provenance:Julian Hartnoll Gallery, London

Estimation

€1,700 - 3,000

EDWARD JOHN GREGORY (BRITISH 1850-1909) PORTRAIT O

259 - EDWARD JOHN GREGORY (BRITISH 1850-1909) PORTRAIT OF ALAINE HENDERSON Watercolour heightened with bodycolourSigned with initials and dated '94' (lower right) 57.5 x 43cm (22½ x 16¾in.)Provenance:Sale, Christie's, London, British Art on Paper, 28 November 2000, lot 64Sale, Christie's London, British & Continental Watercolours and Drawings, 19 September 2002, lot 7

Estimation

€590 - 840

EDEN UPTON EDDIS (BRITISH 1812-1901)A YOUNG GIRL S

260 - EDEN UPTON EDDIS (BRITISH 1812-1901)A YOUNG GIRL STANDING OUTSIDE A BARNOil over pencil, on paper laid down on panel35 x 21.8cm (13¾ x 8½in.)Unframed

Estimation

€470 - 720

ENGLISH SCHOOL (LATE 19TH CENTURY)PORTRAIT OF GEOR

261 - ENGLISH SCHOOL (LATE 19TH CENTURY)PORTRAIT OF GEORGE HUGH LUCAS RUXTON IN A SAILOR SUIT; AND PORTRAIT OF HIS SISTER, EMILY ALICE RUXTONOil on canvas, a pairEach 40 x 30cm (15½ x 11¾in.) (2)Provenance:Sale, Christie's, South Kensington, British and Victorian Pictures, 6 November 1997, lot 49Kirkton House, MontroseTheir sale, Lyon & Turnbull, Edinburgh, The Contents of Kirkton House, 10 October 2018, lot 160

Estimation

€1,700 - 2,400

ENGLISH SCHOOL (LATE 18TH / EARLY 19TH CENTURY)POR

262 - ENGLISH SCHOOL (LATE 18TH / EARLY 19TH CENTURY)PORTRAIT OF A LADY WEARING A HAT AND A PALE BLUE SHAWLOil on canvas76 x 63.5cm (29¾ x 25in.)Provenance:Cider House Galleries Ltd., Bletchingley, Surrey (as Attributed to Johnson)

Estimation

€1,100 - 1,800

CIRCLE OF JOHN OPIE (BRITISH 1761-1807)PORTRAIT OF

263 - CIRCLE OF JOHN OPIE (BRITISH 1761-1807)PORTRAIT OF PLEASANCE, LADY SMITH (1773-1877) IN THE GUISE OF A FORTUNE TELLEROil on canvas76.5 x 63.5cm (30 x 25in.)Provenance:By descent in the Wynne family of Hazlewood, SligoThence by descent in the Wynne family of Corries, Bagenalstown, County CarlowThence by descent to the present owner

Estimation

€950 - 1,500

BRITISH SCHOOL (EARLY 19TH CENTURY)PORTRAIT OF ELI

264 - BRITISH SCHOOL (EARLY 19TH CENTURY)PORTRAIT OF ELIZABETH WYNNE, NÉE SINGLETON (D. 1834)Oil on canvas76.5 x 63.5cm (30 x 25in.)Provenance:By descent in the Wynne family of Hazlewood, SligoThence by descent in the Wynne family of Corries, Bagenalstown, County CarlowThence by descent to the present owner

Estimation

€590 - 960

BRITISH SCHOOL (EARLY 19TH CENTURY)PORTRAIT OF ROB

265 - BRITISH SCHOOL (EARLY 19TH CENTURY)PORTRAIT OF ROBERT WYNNE (1760-1838)Oil on canvas76 x 62.5cm (29¾ x 24½in.)Provenance:By descent in the Wynne family of Hazlewood, SligoThence by descent in the Wynne family of Corries, Bagenalstown, County CarlowThence by descent to the present owner

Estimation

€950 - 1,500

JOSEPH HAUBER (GERMAN 1766-1834)A GENTLEMAN AND LA

266 - JOSEPH HAUBER (GERMAN 1766-1834)A GENTLEMAN AND LADY SEATED IN A GARDENOil on copperSigned and dated 'J. Hauber Pinxit. 1809' (to bench, lower right)79 x 90cm (31 x 35¼in.)Provenance:Day & Faber, London, Tefaf 2026Joseph Hauber was one of the leading representatives of early 19th century Classicism in Munich. The son of a carpenter, Hauber first trained in Rattenberg under Anton Weiß, before enrolling at the Academy of Fine Arts in Vienna. His abilities were recognised by Elector Karl Theodor

Estimation

€4,700 - 7,200

FOLLOWER OF SIR THOMAS LAWRENCEPORTRAIT OF ARTHUR

267 - FOLLOWER OF SIR THOMAS LAWRENCEPORTRAIT OF ARTHUR WELLESLEY, 1ST DUKE OF WELLINGTONOil on canvas65 x 53cm (25½ x 20¾in.)

Estimation

€2,300 - 4,800

BRITISH SCHOOL (CIRCA 1800)PORTRAIT OF WILLIAM KEI

268 - BRITISH SCHOOL (CIRCA 1800)PORTRAIT OF WILLIAM KEITH ELPHINSTONE AND JAMES DRUMMOND ELPHINSTONEOil on canvasWith later identifying inscription (upper left)110 x 85cm (43¼ x 33¼in.)Provenance:By descent in the family of the sitters to the present ownerThe present sitters were the sons of William Fullerton-Elphinstone (1740-1834), who served as chairman of the East India Company. James Drummond Buller-Fullerton-Elphinstone (1788-1857) married firstly Diana Maria Clavering (1801-1821), daughter o

Estimation

€1,100 - 1,800

AFTER MARIE GUILLEMINE BENOISTPORTRAIT OF MADAME P

269 - AFTER MARIE GUILLEMINE BENOISTPORTRAIT OF MADAME PHILIPPE PANON DESBASSAYNS DE RICHEMONT (JEANNE EGLÉ MOURGUE, 1778–1855)Oil on canvas114.5 x 87cm (45 x 34¼in.)The present work appears to relate to the portrait in The Met of the same sitter with her son, previously attributed Jacques Louis David and now to his pupil, Benoist. The original picture was probably exhibited at the Salon of 1802.

Estimation

€1,700 - 3,000

FRENCH SCHOOL (EARLY 19TH CENTURY)PORTRAIT OF A LA

270 - FRENCH SCHOOL (EARLY 19TH CENTURY)PORTRAIT OF A LADY WITH A RED PENDANTOil on canvas board, framed oval39.5 x 32cm (15½ x 12½in.)

Estimation

€590 - 840

LOUISA CANZIANI STARR (BRITISH 1845-1909)SOPHIE MA

271 - LOUISA CANZIANI STARR (BRITISH 1845-1909)SOPHIE MARGUERITE, KNOWN AS 'SISSY', DAUGHTER OF WILLIAM ROXLEY BEVERLEYOil on canvasSigned and dated '1879' (lower left)78.5 x 60cm (30¾ x 23½in.)Exhibited:London, Royal Academy, 1879, no. 522

Estimation

€1,100 - 1,800

ENGLISH SCHOOL (EARLY 19TH CENTURY)PORTRAIT OF A M

272 - ENGLISH SCHOOL (EARLY 19TH CENTURY)PORTRAIT OF A MAN IN A RED JACKETOil on canvas72.5 x 60cm (28½ x 23½in.)

Estimation

€830 - 1,200

ENGLISH SCHOOL (LATE 19TH CENTURY)PORTRAIT OF SIR

273 - ENGLISH SCHOOL (LATE 19TH CENTURY)PORTRAIT OF SIR CHARLES LINDLEY WOOD, 2ND VISCOUNT OF HALIFAX (1839 - 1934); AND A PORTRAIT OF HIS BROTHER LT. COL. THE HON. HENRY JOHN LINDLEY WOOD (1843-1903)Oil on canvas, feigned ovalThe first signed with monogram and dated ' HW 1869' (centre left)Each 77 x 64cm (30¼ x 25in.) (2)In carved Kentian framesSir Charles Lindley Wood, 2nd Viscount of Halifax was a British Anglo-Catholic ecumenist who served as president of the English Church Union from 1868 to 191

Estimation

€1,100 - 1,800

STUDIO OF JAMES SANT (BRITISH 1820 - 1916)NORAOil

274 - STUDIO OF JAMES SANT (BRITISH 1820 - 1916)NORAOil on canvas, framed ovalInscribed 'Nora, Sweeter 'tis to gaze upon my Nora's lid, that seldom rises; Few it looks, but every one like unexpected light surprises' (to old label attached to stretcher verso)79 x 66cm (31 x 25in.)Provenance:The Collection of Mr. SharafinHis sale, Christie's, London, 13 April 1878, lot 84 (as G. Sant), sold for 30 gns to LorentHis sale, Christie's, London, 14 April 1883, lot 135 (as G. Sant), sold for 36 gns to ShieldTh

Estimation

€1,100 - 2,400

FOLLOWER OF THOMAS LAWRENCEPORTRAIT OF A LADY HOLD

275 - FOLLOWER OF THOMAS LAWRENCEPORTRAIT OF A LADY HOLDING A POSY OF FLOWERSOil on canvas90.5 x 70cm (35½ x 27½in.)

Estimation

€590 - 840

EMILE VERNON (BRITISH 1872-1920)PORTRAIT OF A LADY

276 - EMILE VERNON (BRITISH 1872-1920)PORTRAIT OF A LADY IN A PINK DRESSOil on canvasSigned (lower left)59.5 x 48cm (23¼ x 18¾in.)

Estimation

€3,500 - 6,000

FRANK HOLL (BRITISH 1845-1888)MR ALFRED BAKER (181

277 - FRANK HOLL (BRITISH 1845-1888)MR ALFRED BAKER (1815-1893), FELLOW OF THE ROYAL COLLEGE OF SURGEONSOil on canvasSigned (lower left)75 x 62.5cm (29½ x 24½in.)Provenance:Commissioned by Birmingham General Hospital on the retirement of Mr Alfred Baker in 1883Albert BakerBirmingham HospitalAcquired at the sale of collectionsLiterature:The Birmingham Daily Post, 28 July 1883, p.6A.M. Holl Reynolds, The Life and Work of Frank Holl (1845–1888), London, 1912, p. 226Mr Alfred Baker was Senior Vice-Pre

Estimation

€1,700 - 3,000

KAZUNORI ISHIBASHI (JAPANESE 1876-1928)PORTRAIT OF

278 - KAZUNORI ISHIBASHI (JAPANESE 1876-1928)PORTRAIT OF DR FREDERICK JOHN SMITHOil on canvasSigned (upper right)115.5 x 85cm (45¼ x 33¼in.)Dr Frederick John Smith (1857-1919) was a physician, teacher and surgeon at the London Hospital (no longer extant). The portrait was commissioned by the hospital on his retirement to hang in the Atheneum of the Medical College there. The Smith family own a smaller, less refined version of this portrait which they commissioned the artist to paint after the origin

Estimation

€1,100 - 1,800

ENGLISH SCHOOL (19TH CENTURY)PORTRAIT OF CAPTAIN E

279 - ENGLISH SCHOOL (19TH CENTURY)PORTRAIT OF CAPTAIN EDWARD PANTER-DOWNESOil on canvas107.5 x 79.5cm (42¼ x 31¼in.)Together with the sitter's epaulettes and beltProvenance:Private collection, BedfordshireCaptain Edward Panter-Downes was the Commander of the Frigate HMS Curacoa and is depicted wearing dress miniature medals for campaigns in the Baltic (1854), China (1857) and New Zealand (1860).

Estimation

€1,400 - 2,200

FREDERICK PERCY GRAVES (BRITISH 1837-1903)PORTRAIT

280 - FREDERICK PERCY GRAVES (BRITISH 1837-1903)PORTRAIT OF ELEANOR JOLLIFFE, WIFE OF COLONEL FREDERICK CUSTANCEOil on canvasSigned and dated '1881' (verso)73.5 x 61cm (28¾ x 24in.)Eleanor Custance (née Jolliffe, 1851-1908) was the daughter of Hylton Jolliffe and Elizabeth Tyrwhitt-Jones. On the 18th July 1871 she married Colonel Frederick Hambleton Custance and the couple divided their time between the social circles of St John's Wood and their seat at Weston, Norfolk. Their eldest daughter, Olive,

Estimation

€950 - 1,500

‡ GERMAN SCHOOL (19TH CENTURY)PORTRAIT OF A MAN, T

281 - ‡ GERMAN SCHOOL (19TH CENTURY)PORTRAIT OF A MAN, THOUGHT TO BE A SELF-PORTRAITOil on canvas75 x 61cm (29½ x 24in.)Painted circa 1824.Provenance:Private Collection, FranceSale, Sotheby’s, London, 7 July 1982, lot 36Private Collection, acquired from the above sale

Estimation

€4,700 - 7,200

EDWARD VILLIERS RIPPINGILLE (BRITISH 1798-1859)THE

282 - EDWARD VILLIERS RIPPINGILLE (BRITISH 1798-1859)THE ORDEAL BY TOUCHOil on panelSigned and dated '1825' (lower left)81 x 137cm (31¾ x 53¾in.)Provenance:The collection of John Gibbons, 16 Hanover Terrace, Regent's ParkThence by descent to L. P. Gibbons, Uckington, CheltenhamHis sale, Christie's, London, 29 November 1912, lot 120, where purchased by C. T. GibbonsDavid Cross Gallery, Bristol, where purchased by the present owner circa 1997Exhibited:London, The Royal Academy, 1825Literature:H. Colbu

Estimation

€2,300 - 3,600

FREDERICK RICHARD PICKERSGILL (BRITISH 1820-1900)A

283 - FREDERICK RICHARD PICKERSGILL (BRITISH 1820-1900)A REST ON THE HILLOil on canvasSigned with initials and dated '1861' (lower right)60 x 50cm (23½ x 19½in.)

Estimation

€3,500 - 6,000

WILLIAM MULREADY (BRITISH 1786-1863)HIDE AND SEEKO

284 - WILLIAM MULREADY (BRITISH 1786-1863)HIDE AND SEEKOil on panel29 x 21.5cm (11¼ x 8¼in.)

Estimation

€710 - 960

ROBERT FAULKNER (BRITISH 19TH CENTURY)PORTRAIT OF

284-A - ROBERT FAULKNER (BRITISH 19TH CENTURY)PORTRAIT OF A LADY IN A YELLOW DRESS WITH PARKLAND BEYONDOil on canvas234.5 x 144.5cm (92¼ x 56¾in.)Provenance:Simon C. Dickinson Ltd., LondonPrivate Collection, UKRobert Faulkner lived and worked in London and was the son of Benjamin Rawlinson Faulkner (1787-1849), the Manchester portrait painter. He exhibited at the Royal Academy in 1847 and 1849.

Estimation

€7,100 - 9,600

WILLIAM POWELL FRITH (BRITISH 1819-1909)STERNE'S M

285 - WILLIAM POWELL FRITH (BRITISH 1819-1909)STERNE'S MARIAOil on canvasSigned and dated '1868' (lower left)51 x 35.5cm (20 x 13¾in.)Provenance:Purchased from the artist by Thomas Agnew & Sons, London, 13 July 1868From whom purchased by Henry Bruen MP, 28 September 1868Sale, Christie’s, London, Fine Victorian Pictures, 1 November 1985, lot 211Christopher Wood Gallery, London, November 1986Sale, Sotheby's, London, Victorian Paintings, 16 March 1988, lot 144 (unsold)Sale, Christie’s, South Kensing

Estimation

€3,500 - 6,000

WILLIAM POWELL FRITH (BRITISH 1819-1909)STERNE AND

286 - WILLIAM POWELL FRITH (BRITISH 1819-1909)STERNE AND THE FRENCH INNKEEPER'S DAUGHTEROil on canvasSigned and dated '1868' (lower left)47 x 35cm (18½ x 13¾in.)Provenance:Sale, Christie's, London, Fine Victorian Pictures, 28 January 1977, lot 94 (as a scene from the Vicar of Wakefield )Frost & Reed, London

Estimation

€4,700 - 7,200

CHARLES LEES (SCOTTISH 1800-1880)A SCENE ON DUDDIN

287 - CHARLES LEES (SCOTTISH 1800-1880)A SCENE ON DUDDINGSTON LOCH, NEAR EDINBURGHOil on canvasSigned and dated '1853' (lower centre)84 x 127cm (33 x 50in.)Provenance:Trafalgar Galleries, LondonSale, Sotheby's, London, Victorian & Edwardian Art, 17 May 2011, lot 39Sale, Sotheby's, London, British & Irish Art, 19 November 2013, lot 63Exhibited:Edinburgh, Royal Scottish Academy, 1854, no. 81London, Royal Academy, 1855, no.1305London, Trafalgar Galleries, Country Life and Landscape 1800-1880, 1966, no. 2

Estimation

€83,000 - 120,000

GEORGE GOODWIN KILBURNE (BRITISH 1839-1924)DINNER

288 - GEORGE GOODWIN KILBURNE (BRITISH 1839-1924)DINNER BY THE FIRESIDEOil on canvasSigned (lower right)54 x 76cm (21¼ x 29¾in.)

Estimation

€2,900 - 4,200

FRANK MOSS BENNETT (BRITISH 1874-1952)AN INTERESTI

289 - FRANK MOSS BENNETT (BRITISH 1874-1952)AN INTERESTING MOVEOil on canvasTraces of signature and date '1922' and later added signature and date '1921' (lower right)34.5 x 49.5cm (13½ x 19¼in.)Provenance:MacConnal-Mason & Son Ltd, LondonSale, Christie's, London, Victorian & Traditionalist Pictures, 26 September 2007, lot 183Haynes Fine Art, BroadwaySale, Hutchington Scott, Skipton, The Winter Fine Interiors Auction, 23 January 2024, lot 818

Estimation

€2,300 - 4,800

CARLTON ALFRED SMITH (BRITISH 1853-1946)SAYING GRA

290 - CARLTON ALFRED SMITH (BRITISH 1853-1946)SAYING GRACEOil on panelSigned and dated '94' (lower left)25.5 x 35.5cm (10 x 13¾in.)Provenance:Private collection, UKSale, Bonhams, London, British and European Art Including Works fromL'École de Paris, The Jewish Artists, 10 November 2021, lot 167Carlton Alfred Smith was educated in France and studied at the Slade School of Fine Art, where he won gold and silver medals. He specialized in genre scenes which present a gentle, idealized version of rural l

Estimation

€3,500 - 6,000

CHARLES ROBERT LESLIE (BRITISH 1794-1859)THE MOTHE

291 - CHARLES ROBERT LESLIE (BRITISH 1794-1859)THE MOTHER'S HOPEOil on canvas73 x 58cm (28½ x 22¾in.)Provenance:Sir Francis Freeling, Bart, by 1835Mr Grundy, by 1852Thomas Waite, Esq., by 1855Foster & Son, 16 May 1855Mr Phillips, New Bond Street, London, November 1857The late John Farnworth, Esq. of Woolton, LiverpoolHis sale, Christie’s, London, 18 May 1874, lot 71, where purchased by CarrThe late John Farnworth, Esq. of Woolton, LiverpoolHis sale, Christie’s, London, 19 July 1890, lot 127, whe

Estimation

€8,300 - 12,000

‡ ALEXANDRE CABANEL (FRENCH 1824-1889)THE MERCHANT

292 - ‡ ALEXANDRE CABANEL (FRENCH 1824-1889)THE MERCHANT OF VENICEOil on canvasSigned and dated '1881' (lower left)87.3 x 122.9cm (34¼ x 48¼in.)Provenance:Goupil & Co., Paris (1881)The Collection of Mr. Jay GouldThe Collection of Miss. Helen GouldThe Collection of Ralph P. Ross, New JerseyPrivate Collection, New Jersey (circa 1950)Sale, Christie's, New York, The Age of Elegance, 11 November 1998, lot 75 (for $101,500)The collection of The Honorable C. Boyden GrayExhibited:Paris, Salon, 1881, no. 3

Estimation

€47,000 - 72,000

HERBERT JOHNSON (BRITISH 1848-1906)TWO YOUNG GIRLS

293 - HERBERT JOHNSON (BRITISH 1848-1906)TWO YOUNG GIRLS FISHINGOil on canvasSigned and dated '1887' (lower right)91.5 x 61cm (36 x 24in.)

Estimation

€4,700 - 7,200

λ EDMUND ADLER (AUSTRIAN 1876-1965)THE CANARYOil o

294 - λ EDMUND ADLER (AUSTRIAN 1876-1965)THE CANARYOil on canvasSigned (lower left)68 x 56cm (26¾ x 22in.)

Estimation

€2,300 - 3,600

SIR JOHN GILBERT (BRITISH 1817-1897) AND STUDIOPLO

295 - SIR JOHN GILBERT (BRITISH 1817-1897) AND STUDIOPLOUGHING IN STORMY WEATHEROil on canvasLater titled and inscribed 'Mrs. J. Oldham Banks/ Oil. unfinished. designed by Sir John Gilbert in [his]/ illness. finished by Catherine A. Eggar (B[anks)]/ Ploughing Stormy Weather/ 53' (to label verso)75 x 189cm (29½ x 74¼in.)Provenance:Brook Gallery, Wilton, 2 April 1974This highly successful self taught painter, knighted for his illustrative work, also painted moody landscapes influenced by Constable. Af

Estimation

€3,500 - 6,000

HAYNES KING (BRITISH 1831-1904)MATERNAL CAREOil on

296 - HAYNES KING (BRITISH 1831-1904)MATERNAL CAREOil on canvasSigned and dated '1872' (lower left)91 x 71cm (35¾ x 27¾in.)

Estimation

€2,300 - 3,600

GUSTAV POPE (BRITISH 1831-1910)THE HOMECOMINGOil o

297 - GUSTAV POPE (BRITISH 1831-1910)THE HOMECOMINGOil on canvasSigned (lower left)88.5 x 69.5cm (34¾ x 27¼in.)

Estimation

€1,100 - 1,800

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