193 - Study after Isadora Duncan, c. 1911

Study after Isadora Duncan, c. 1911 Oil and gouache on cardboard 39.7 x 44.7 cm Stamp with the vertical monogram “MAUD” on the lower left side It is part of the genesis of his famous monumental cycle created for the dome of the Théâtre des Champs-Élysées (1910–1912), as well as his large-scale allegorical sets centered on music and the performing arts This work is a study of movement based on Isadora Duncan, to be considered alongside the various preparatory sketches made by Maurice Denis for his famous monumental cycle designed for the exedra of the Théâtre des Champs-Élysées (1910–1912), as well as his large-scale allegorical sets centered on music and the performing arts. Indeed, for the decoration of the dome of the Théâtre des Champs-Élysées (1910–1912), Maurice Denis drew direct inspiration from Isadora Duncan’s free-style dance and ancient-style tunics, primarily in the panel titled “The Greek Orchestra,” as well as in the medallions (tondi) that accompany the frieze. For example, in the large panel of “The Greek Orchestra,” Maurice Denis celebrates the ancient origins of dance and music. There, he depicts Isadora Duncan’s free-flowing postures, bare feet, and flowing drapery—she was admired in Paris at the time for her revival of Hellenic aesthetics. Study of the movements for the stage exedra of the Théâtre des Champs-Élysées Provenance: Maurice Denis Collection Private collection Bibliography: Delphine Grivel, *Maurice Denis and Music*, 2011, reproduced on page 200