99 - An Art Deco acid-etched cameo glass vase designed by Pierre d'Avesn for Daum Nancy. The vase is crafted from honey-amber colored translucent glass in a flattened, bulbous form with a wide oval aperture. The exterior features an animalier motif in high relief, depicting a stylized gazelle or impala surrounded by palm trees and tropical foliage. The neck is decorated with a repeating scroll or wave border. The design utilizes acid etching to create a contrast between textured, frosted backgrounds and polished, high-gloss raised elements. The piece is signed near the base with an etched mark reading Daum Cross of Lorraine Nancy France. 12 1/8" H x 9 1/2" W x 4" D.

An Art Deco acid-etched cameo glass vase designed by Pierre d'Avesn for Daum Nancy. The vase is crafted from honey-amber colored translucent glass in a flattened, bulbous form with a wide oval aperture. The exterior features an animalier motif in high relief, depicting a stylized gazelle or impala surrounded by palm trees and tropical foliage. The neck is decorated with a repeating scroll or wave border. The design utilizes acid etching to create a contrast between textured, frosted backgrounds and polished, high-gloss raised elements. The piece is signed near the base with an etched mark reading Daum Cross of Lorraine Nancy France. 12 1/8" H x 9 1/2" W x 4" D. CONDITION: Very good condition overall. The etched design remains crisp and the polished elements show a high luster. One small flea bite nick is present at the lower edge of the etched design near the base. The underside displays light surface shelf wear and faint scratches commensurate with age. No cracks or repairs are noted. NOTICE TO BIDDERS: The absence of a condition report does not imply that the lot is in perfect condition. Photos are considered part of the condition report. Complete condition information is available by request, please request no later than 24 hours prior to the auction. All lots are offered and sold "as is", and Willow Auctions will not provide refunds based on condition. Timepiece movements, lighting and electrics have not been tested, and art has not been examined out of the frame unless otherwise stated.