47 - Romero Britto (Brazilian, b. 1963). Mixed media with acrylic painting, oil pen drawing, diamond dust, and serigraphy on wove paper, Best Time, 2016. A vibrant pop-art composition featuring two martini glasses among abstract geometric shapes, hearts, and sunburst motifs. The work incorporates heavy applications of red glittered diamond dust in the upper right and lower left quadrants. Hand-signed R. Britto in black pigment at the lower right with a broad underline. Housed in a black-finished wood frame with a wide black mat and thin red inner fillet. Verso includes a wire for hanging and is sealed with black paper. Sight: 14 3/4 x 14 1/2 in. Frame: 27 1/2 x 27 1/4 in.

Romero Britto (Brazilian, b. 1963). Mixed media with acrylic painting, oil pen drawing, diamond dust, and serigraphy on wove paper, Best Time, 2016. A vibrant pop-art composition featuring two martini glasses among abstract geometric shapes, hearts, and sunburst motifs. The work incorporates heavy applications of red glittered diamond dust in the upper right and lower left quadrants. Hand-signed R. Britto in black pigment at the lower right with a broad underline. Housed in a black-finished wood frame with a wide black mat and thin red inner fillet. Verso includes a wire for hanging and is sealed with black paper. Sight: 14 3/4 x 14 1/2 in. Frame: 27 1/2 x 27 1/4 in. Bin 1 CONDITION: The artwork and frame are in excellent condition. The mixed media surface, including the diamond dust applications, appears stable with no visible losses. The paper support shows no signs of toning or waving. The frame exhibits minor surface dust and light handling wear consistent with age. NOTICE TO BIDDERS: The absence of a condition report does not imply that the lot is in perfect condition. Photos are considered part of the condition report. Complete condition information is available by request, please request no later than 24 hours prior to the auction. All lots are offered and sold "as is", and Willow Auctions will not provide refunds based on condition. Timepiece movements, lighting and electrics have not been tested, and art has not been examined out of the frame unless otherwise stated.