195 - Eugène ATGET (1857–1927)

Eugène ATGET (1857–1927) Poterne des Peupliers, a family of sewer workers (13th arrondissement), 1913 A family posing in front of shacks made of planks, canvas, and sheet metal: a woman seated in a dark dress, a man in a white shirt holding a baby, children, and two men on the right; a sign reading “…Lepron… ” [?], basins and buckets on the ground; the National Library’s stamp visible in the image. Silver print 18.2 x 23.8 cm Inscription on the reverse: Annotation in ink: “Poterne [crossed out] Poterne des Peupliers 1913 (13th arrondissement).” Provenance: former collection of Jean-Marie Drot Born in Libourne in 1857, Eugène Atget worked as a sailor and then as an actor before devoting himself to photography around 1890. Settling on Rue Campagne-Première, he produced “documents for artists” and spent nearly forty years photographing old Paris: streets, courtyards, storefronts, signs, small trades, parks, and interiors. His thousands of photographs were acquired by the National Library, the Carnavalet Museum, and the Historic Monuments department, which saw them as a record of a city in the process of disappearing. Man Ray and the Surrealists, followed by Berenice Abbott—who saved a large portion of his collection—revealed the poetic dimension of his work. He died in Paris in 1927 and is considered one of the fathers of modern documentary photography.