161 - A Persian Khatamkari mirror with verses by Hafez

A Persian Khatamkari mirror with verses by Hafez dating: circa 1900 provenance: Iran, Crafted from wood and finely decorated in the Khatamkari style, with intricate geometric inlays made from various types of wood, bone and metal. The front consists of two hinged doors, embellished with rich polychrome lacquerwork which are secured by a decorated central bar, when closed. The doors depict a lively bazm scene, a traditional Persian festive gathering. At the centre is a dancing figure surrounded by musicians and seated figures, all dressed in vibrantly coloured garments. The composition is further enriched by gilded plant and animal motifs, as well as elements characteristic of the gol-o-morgh decorative tradition featuring flowers and birds. Elegant Persian Nastaʿlīq calligraphic cartouches featuring verses attributed to the famous Persian poet Hafez (Hāfeẓ) adorn the borders. The verses refer to the ghazal that begins with "Biyā tā gol bar-afshānim…". These poetic references to flowers, wine, music and dance are directly related to the convivial iconography of the painted scene. The inscriptions are therefore literary and secular in nature, rather than being verses from the Qur'an. Opening the panels reveals a large rectangular mirror, surmounted by a moulded element adorned with floral and bird motifs. The mirror pane, which appears to be matching or at least earlier, shows widespread alterations to the reflective surface, including oxidation, stains, clouding and irregularities consistent with its age. The reverse side features beautiful polychrome inlays and bone frames. The object has a distinct historical patina, with a cracked lacquer surface, abrasions, signs of wear, and small parts of the inlay and painted decoration which are missing. These features are consistent with the object's age and use. An example of considerable decorative and collectable interest, combining some of the most characteristic expressions of Persian decorative arts: Khatamkari micro-mosaic, lacquer painting, Nastaʿlīq calligraphy, classical poetry and court iconography