若要变更您的缺席竞投,
请联系拍卖行。
The reserve price is the minimum price accepted by the seller. Bidders cannot see this price. To win an item, you must place the highest bid and meet or exceed the reserve price.
本场拍卖的注册已关闭。您无法出价。
转换后的金额仅供参考。拍卖行确定的销售货币具有约束力。您可通过个人资料中的“偏好设置”页面选择其他货币。
费用包括拍卖行佣金及平台服务费。更多详情,请参阅拍卖行的销售条款和条件。
CORNELIS ZITMAN (Leiden, Netherlands, 1926–Caracas, Venezuela, 2016). "Asomada," "Nocturnos," and "Jaula," 1961, Prints on Michel paper (3). P.A. copies. Certificates of authenticity issued by the publisher are included. They bear the dry stamp of the Sánchez Baillo workshop, Seville. Signed and numbered in pencil and dated on the plate, Measurements: 5 x 7 cm (prints, x3); 38 x 28 cm (paper, x3). Cornelis Zitman was a Dutch sculptor who became a Venezuelan citizen; he trained at the Academy of Fine Arts in The Hague. In 1947, he moved to Venezuela, where he spent much of his career and found the primary cultural and human context for his work.Beginning in the 1960s, he devoted himself primarily to sculpture, focusing his work on the female figure. His women, with their voluminous and stylized forms, combine sensuality, expressiveness, and a strong sculptural presence, becoming the defining hallmark of his artistic language. His international recognition was cemented following his exhibition at the Galerie Dina Vierny in Paris in 1971 and his First Prize at the Budapest Sculpture Biennial that same year. He subsequently exhibited in cities such as Paris, New York, Amsterdam, Tokyo, and Caracas, and participated in the São Paulo Biennial. His work is included in major collections such as those of the National Art Gallery in Caracas, the Museum of Contemporary Art in Caracas, the Musée Maillol in Paris, and MoMA in New York. Zitman is considered a key figure in 20th-century Venezuelan sculpture and one of the artists who best knew how to fuse his European tradition with Latin American culture and imagination. Certificates of authenticity issued by the publisher are attached.
配送是可选的。您可以选择任何运输公司。所示价格不包括拍品价格或拍卖行费用。